Between 1950 and 1952, the Uruguayan essayist, critic and writer José Pedro Díaz created a film diary with images that display a range of diverse interests: social observation, the portrait of the artistic-intellectual community in Europe and a look at domestic cinema from travels, portraying his wife, the poet Amanda Berenguer. As a perfect complement he also had a literary diary. Both form a unique testimonial chronicle: how to read the script and see what was filmed. This documentary deals with that lesser-known area of Díaz's work.
Directing | Aldo Garay | Director |
Production | Micaela Solé | Producer |
Camera | German De Leon | Director of Photography |
Editing | Federico La Rosa | Editor |
Sound | Daniel Yafalián | Music |
Sound | Daniel Yafalián | Sound Designer |
Writing | Aldo Garay | Screenplay |