This short hybrid essay based on French philosopher Paul Virilio's theory of “dromology” follows a racecar driver named Irina, who enjoys life in the fast lane more than anything else, and a French expert who explains how speed and velocity have always been fundamental factors of political power. The result is a reflection on both the practical and ideological aspects of speed and how velocity relates to gravity, the human experience, presence, and power-driven practices.
| Directing | Daniel Burda | Director |