Christoph begins his year of civil service at a nursing home as the personal caretaker for 28-year-old Sven. The seriously ill young man is suffering from muscular dystrophy and his nursing room has become his own little microcosm which he has been sovereignly controlling for years.
| Directing | Eibe Maleen Krebs | Director |
| Sound | Ralph Thiekötter | Sound Re-Recording Mixer |
| Writing | Eibe Maleen Krebs | Writer |
| Writing | Andreas Keck | Writer |
| Writing | Eibe Maleen Krebs | Idea |
| Crew | Olaf Grunert | Commissioning Editor |
| Production | Verena Gräfe-Höft | Producer |
| Crew | Barbara Häbe | Commissioning Editor |
| Crew | Claudia Tronnier | Commissioning Editor |
| Sound | Martin Lingnau | Original Music Composer |
| Sound | Ingmar Süberkrüb | Original Music Composer |
| Camera | Judith Kaufmann | Director of Photography |
| Editing | Marianne von Deutsch | Editor |
| Art | Thorsten Sabel | Production Design |
| Art | Jenny Echelmeyer | Set Decoration |
| Costume & Make-Up | Nicole Hutmacher | Costume Design |
| Costume & Make-Up | Skadi Lesske | Makeup Artist |
| Production | Feodora Frickert | Unit Manager |
| Production | Eckart Lippens | Production Manager |
| Crew | Frank Ehlers | Carpenter |
| Sound | Thekla Demelius | Sound Designer |
| Sound | Stephan Radom | Dialogue Editor |
| Sound | Stephan Radom | Sound Re-Recording Mixer |
| Sound | Olaf Simon | Foley Artist |
| Crew | Lena Dickmann | Title Graphics |
| Lighting | Timm Brückner | Gaffer |
| Lighting | Thijs Wagelaar | Best Boy Electric |
| Editing | Anne Fröhlingsdorf | Assistant Editor |
| Directing | Daniela Lapp | Continuity |