A series of murders are confounding the local police with its residue of mutilated corpses. It begins when a sadistic cult murders willing victims for entertainment. Professor Lafitte, a rich sophisticated man, whose hobby is collecting souls, leads the cult. One of his students is Jack, brilliant and obsessed with composing avant-grade music. He decides to compose a concerto for synthesizer & samplers that is based on the recorded sound of human screams. Jack is drawn into the clutches of the professor, who is guiding him into a dark path of self discovery, in his attempt to create a new kind of music.
| Directing | Martin Mayo | Director |
| Writing | Martin Mayo | Writer |
| Production | Martin Mayo | Producer |
| Editing | Martin Mayo | Editor |
| Writing | Carole Katchen | Writer |
| Production | Oneida Caldera | Associate Producer |
| Production | Diaky Diaz | Line Producer |
| Production | Gerardo E. Dominguez | Executive Producer |
| Production | Juven Zapata | Executive Producer |
| Sound | Alan DerMarderosian | Music |
| Crew | Sergio Coro | Cinematography |
| Crew | Christopher Dunn George | Cinematography |
| Crew | Peter Gray | Cinematography |
| Editing | Tina Imahara | Editor |
| Editing | Pablo Medina | Editor |
| Directing | George B. Kelly | Second Unit Director |
| Sound | Mark Linthicum | Supervising Sound Editor |
| Crew | Frank Marano | Special Effects |
| Visual Effects | Mark Linthicum | Visual Effects Supervisor |
