An undocumented immigrant finds a human heart in one of the toilets of the west London hotel where he works with other undocumented immigrants.
Production | Robert Jones | Producer |
Art | Hugo Luczyc-Wyhowski | Production Design |
Production | Julie Goldstein | Executive Producer |
Production | Margo Myers | Line Producer |
Camera | Chris Menges | Director of Photography |
Writing | Steven Knight | Screenplay |
Production | Leo Davis | Casting |
Production | Allon Reich | Executive Producer |
Production | Tracey Scoffield | Executive Producer |
Editing | Mick Audsley | Editor |
Production | Teresa Moneo | Executive Producer |
Directing | Stephen Frears | Director |
Production | Paul Smith | Executive Producer |
Production | David M. Thompson | Executive Producer |
Sound | Nathan Larson | Original Music Composer |
Costume & Make-Up | Odile Dicks-Mireaux | Costume Design |
Production | Tracey Seaward | Producer |
Art | Rebecca Holmes | Art Direction |
Directing | Penny Eyles | Script Supervisor |
Costume & Make-Up | Kay Manasseh | Assistant Costume Designer |
Sound | Mike Prestwood Smith | Sound Re-Recording Mixer |
Camera | Laurie Sparham | Still Photographer |
Sound | Adrian Rhodes | Sound Re-Recording Mixer |
Sound | Peter Joly | Supervising Sound Editor |
Camera | Alf Tramontin | Steadicam Operator |
Sound | Karen Elliott | Music Supervisor |
Camera | Oona Menges | First Assistant Camera |
Sound | Mark Auguste | Supervising Sound Editor |
Sound | Michael Higham | Music Editor |
Camera | Alastair Rae | Steadicam Operator |
Camera | Chris Menges | Camera Operator |
Production | Hermione Ninnim | Production Coordinator |
Art | Linda Wilson | Set Decoration |
Costume & Make-Up | Annabel Hill | Makeup Artist |
Costume & Make-Up | Natasha Nischol | Makeup Artist |
Costume & Make-Up | Jenny Shircore | Hair Designer |
Costume & Make-Up | Jenny Shircore | Makeup Designer |
Crew | Matthew Smith | Makeup Effects |
Directing | Mick Audsley | Second Unit Director |
Directing | William Booker | Second Assistant Director |
Directing | Ben Dixon | Third Assistant Director |
Directing | Simon Downes | Second Assistant Director |
Directing | Mark Layton | First Assistant Director |
Directing | Sasha Mann | Second Assistant Director |
Directing | Finn McGrath | Second Assistant Director |
Directing | Jez Oakley | Third Assistant Director |
Directing | Stuart Renfrew | First Assistant Director |
Directing | Alex Streeter | Third Assistant Director |
Directing | Richard Styles | First Assistant Director |
Directing | Becky Symons | Third Assistant Director |
Directing | Holly Watson | Third Assistant Director |
Directing | Ben Dixon | Additional Third Assistant Director |
Directing | Larry Zience | Second Assistant Director |
Art | Campbell Mitchell | Props |
Sound | Sam Auguste | Assistant Sound Editor |
Sound | Jan Cholawo | Foley Editor |
Sound | Colin Cooper | ADR Recordist |
Sound | Colette D. Dahanne | Foley Recordist |
Sound | Nathan Duncan | Sound Assistant |
Sound | Steve Finn | Boom Operator |
Sound | Matthew Gough | Sound Re-Recording Mixer |
Sound | Peter Gleaves | ADR Mixer |
Sound | Alex Hudd | Sound |
Sound | Christian Joyce | Sound Recordist |
Sound | Peter Lindsay | Sound Recordist |
Sound | Mark Rose | Sound Effects Editor |
Sound | Sven Taits | Additional Sound Re-Recording Mixer |
Sound | Pierre-Albert Vivet | ADR Recordist |
Sound | Ian Wilson | Foley Editor |
Crew | Dan Frye | Special Effects Technician |
Crew | Christopher Longhurst | Special Effects Assistant |
Visual Effects | Graham Longhurst | Special Effects Supervisor |
Crew | Nick Gillard | Stunt Coordinator |
Crew | Julian Spencer | Stunt Coordinator |
Editing | Emanuele Giraldo | Assistant Editor |
Editing | Celia Haining | Assistant Editor |
Editing | Dan Roberts | First Assistant Editor |
Editing | John Stanborough | Color Timer |
Directing | Martin O'Malley | First Assistant Director |