DEAR ALLIE is a film set in the early 2000s about a college student who works through the abandonment of her sister through Polaroids in a story about relationships, memories, and hope.
| Directing | Maile Wing | Director |
| Writing | Maile Wing | Writer |
| Production | Eliana Henry | Producer |
| Directing | Tony Krupski | First Assistant Director |
| Camera | Tim Santiago | Director of Photography |
| Camera | Jack Griffin | First Assistant Camera |
| Camera | Lucas Angelone | Second Assistant Camera |
| Lighting | Graham Young | Gaffer |
| Camera | Isaac Harry | Grip |
| Art | Birdy Holdridge | Production Design |
| Camera | Taylor Johnson | BTS Photographer |
| Sound | Bethany Taylor | Sound Mixer |
| Camera | Michael Piehl | Key Grip |
| Camera | Josh Cooley | Grip |
| Directing | Sean O'Hara | Script Supervisor |
| Editing | Jack Griffin | Editor |
| Production | Halle Mae Lee | Casting Director |
| Sound | Natalie-jo Hahn | Boom Operator |
| Directing | Amabel Theophilia | Script Supervisor |
| Crew | Eliana Henry | Craft Service |
| Production | Matthew Hawksworth | Production Coordinator |
| Production | Henry Timm | Consulting Producer |
| Sound | Tim Santiago | Music |
| Editing | Tim Santiago | Colorist |
| Sound | Jack Griffin | Music Producer |
| Sound | Jack Griffin | Sound Engineer |
| Costume & Make-Up | Birdy Holdridge | Costume Design |
| Art | Colette Parsons | Production Design |
| Crew | Lucas Angelone | Stunt Driver |
| Camera | Taylor Johnson | First Assistant Camera |
| Sound | Natalie-jo Hahn | Sound Mixer |