Dahlia Williams and her daughter Cecelia move into a rundown apartment on New York's Roosevelt Island. Dahlia is in the midst of divorce proceedings, and the apartment, though near an excellent school for her daughter, is all she can afford. From the time she arrives, there are mysterious occurrences—and there is a constant drip from the ceiling in her daughter's bedroom…
| Production | Doug Davison | Producer |
| Production | Roy Lee | Producer |
| Directing | Walter Salles | Director |
| Writing | Kôji Suzuki | Novel |
| Editing | Daniel Rezende | Editor |
| Production | Bill Mechanic | Producer |
| Production | Mali Finn | Casting |
| Production | Kelli Lerner | Casting |
| Production | Ashley Kramer | Executive Producer |
| Production | Carole Tarlington | Casting |
| Sound | Angelo Badalamenti | Original Music Composer |
| Art | Thérèse DePrez | Production Design |
| Camera | Affonso Beato | Director of Photography |
| Writing | Rafael Yglesias | Screenplay |
| Production | Tina Gerussi | Casting |
| Production | Kerry Foster | Associate Producer |
| Production | Diana Pokorny | Co-Producer |
| Costume & Make-Up | Michael Wilkinson | Costume Design |
| Art | Andrew M. Stearn | Art Direction |
| Art | Nicholas Lundy | Art Direction |
| Art | Clive Thomasson | Set Decoration |
| Costume & Make-Up | Sylvain Cournoyer | Key Makeup Artist |
| Crew | Francie Brown | Dialect Coach |
| Production | Amy Herman | Unit Production Manager |
| Visual Effects | John Coats | 3D Animator |
| Art | Rudy Braun | Set Designer |
| Crew | Martin Clark | Technical Supervisor |
| Lighting | Clay Liversidge | Rigging Gaffer |
| Art | Jonathan Roumie | Location Scout |
| Costume & Make-Up | Jay Du Boisson | Assistant Costume Designer |
| Crew | Lauren Gale | Craft Service |
| Crew | Lauren A. Bonfiglio | Stunts |
| Editing | Dawn M. Stoliar | First Assistant Editor |
| Sound | Frank Gaeta | Supervising Sound Editor |
| Visual Effects | Heather Elisa Hill | Visual Effects Coordinator |
| Art | Joseph Proscia | Leadman |
| Crew | G. A. Aguilar | Stunt Coordinator |
| Crew | Lincoln Kupchak | Visual Effects Editor |
| Sound | Steve Switzer | Boom Operator |
| Costume & Make-Up | David R. Beecroft | Key Hair Stylist |
| Costume & Make-Up | Tina Earnshaw | Makeup Artist |
| Crew | B.J. Smith | Set Medic |
| Editing | Kenny Becker | Color Timer |
| Visual Effects | Todd Isroelit | Visual Effects Producer |
| Crew | Henrique Rezende | Special Sound Effects |
| Art | Jennifer Santucci | Art Department Assistant |
| Lighting | Morris Flam | Gaffer |
| Sound | Joe E. Rand | Music Editor |
| Visual Effects | Dan Cobbett | Digital Compositors |
| Visual Effects | Mark Owen Forker | Visual Effects Supervisor |
| Costume & Make-Up | Debbie Lucas | Seamstress |
| Lighting | Bill Almeida | Best Boy Electric |
| Sound | Patrick Russ | Orchestrator |
| Camera | Russel Bowie | First Assistant Camera |
| Camera | Mike Kirilenko | Key Grip |
| Camera | Jim Bridges | Still Photographer |
| Sound | Rickley W. Dumm | First Assistant Sound Editor |
| Camera | Tony Arnaud | Grip |
| Sound | Javier Bennassar | Foley Editor |
| Sound | Frank Gaeta | Sound Designer |
| Crew | Olívia Guimarães | Post Production Supervisor |
| Crew | Brian Carmichael | Video Assist Operator |
| Lighting | Donald M. Angst | Electrician |
| Production | Jonathan Leeder | Casting Associate |
| Art | J. Ryan Halpenny | Assistant Art Director |
| Crew | Jason Messeri | Set Production Assistant |
| Crew | Ahmad Ismail | Telecine Colorist |
| Crew | Rickey Giallonardo | Transportation Co-Captain |
| Directing | Susan Marucci | Script Supervisor |
| Production | Andrea Isaacs | Production Supervisor |
| Crew | Brooke Cale | Stand In |
| Crew | Karen Pidgurski | Unit Publicist |
| Directing | David Webb | First Assistant Director |
| Sound | Willy Allen | Dialogue Editor |
| Production | Sabine Graham | Production Coordinator |
| Art | Jennifer Jacobsen | Set Decoration Buyer |
| Art | Gary Cergol | Art Department Coordinator |
| Art | John Mackenzie | Construction Coordinator |
| Camera | Angelo Colavecchia | Camera Operator |
| Crew | Gordon J. Smith | Makeup Effects |
| Sound | Paul Berolzheimer | Sound Effects Editor |
| Visual Effects | Peter Chesney | Special Effects Supervisor |
| Costume & Make-Up | Wayne Herndon | Hairstylist |
| Crew | Robert S. Smith | Carpenter |
| Visual Effects | Tim Everitt | Animation Supervisor |
| Sound | James Wright | Dolby Consultant |
| Art | Vic Rigler | Property Master |
| Crew | Mark Bero | Special Effects Coordinator |
| Sound | David Bach | ADR Supervisor |
| Sound | Glen Gauthier | Production Sound Mixer |
| Sound | Michael Barosky | Sound Mixer |
| Sound | Robert Fernandez | Scoring Mixer |
| Directing | Adam Weisinger | Second Second Assistant Director |
| Camera | John Colavecchia | Assistant Camera |
| Editing | David Bernstein | Colorist |
| Sound | Peter Gleaves | ADR Mixer |
| Editing | Mary Beth Smith | Negative Cutter |
| Sound | Cameron Steenhagen | ADR Editor |
| Sound | Catherine Harper | Foley Artist |
| Crew | Mike Thompson | Special Effects Technician |
| Camera | Matt Blades | Dolly Grip |
| Production | Audra Gorman | Location Coordinator |
| Sound | Dennis Twitty | Sound Assistant |
| Editing | Maria Montoreano | Associate Editor |
| Production | Andrew Jablonski | Assistant Accountant |
| Visual Effects | Sean Devereaux | Visual Effects Compositor |
| Costume & Make-Up | Julia Valente | Assistant Makeup Artist |
| Art | David Best | Graphic Designer |
| Art | Susan Bradley | Title Designer |
| Production | Kip Myers | Location Assistant |
| Production | Judy Pursley | First Assistant Accountant |
| Production | Alison Davis | Production Secretary |
| Art | Rob McCallum | Storyboard Artist |
| Production | Lynn H. Powers | Assistant Location Manager |
| Production | Maurice Sessoms | Additional Production Assistant |
| Crew | Timothy Healy | Generator Operator |
| Crew | Cameron S. Brooke | Key Scenic Artist |
| Directing | Devin Hillier | Third Assistant Director |
| Camera | Elizabeth Hedges | Camera Loader |
| Costume & Make-Up | Kate Quinlan | Wardrobe Supervisor |
| Directing | Bruno Bryniarski | Second Assistant Director |
| Sound | Chris Trent | Foley Mixer |
| Camera | Kevin Flynn | Best Boy Grip |
| Lighting | Kenny Burke | Key Rigging Grip |
| Crew | Timothy R. Hoffman | Special Effects Assistant |
| Visual Effects | Jamison Huber | Visual Effects Production Assistant |
| Crew | Wendi Bromley | Stunt Double |
| Camera | Kathleen Corgan | Second Assistant Camera |
| Production | Claudine Franco | Post Production Coordinator |
| Visual Effects | Darren Poe | Compositing Supervisor |
| Production | Scott Ross | General Manager |
| Lighting | Richard Yacuk | Rigging Grip |
| Camera | João Villela | Camera Trainee |
| Editing | Suzy Gilbert | Assistant Editor |
| Visual Effects | Metin Gungor | Matte Painter |
| Sound | Brian Dunlop | ADR Recordist |
| Crew | Mark Rice | Key Special Effects |
| Costume & Make-Up | Nicci Schinman | Costumer |
| Production | Lee Ann Cotton | Assistant Production Coordinator |
| Visual Effects | Mesrop Abrahamian | Rotoscoping Artist |
| Production | Peter Madamba | Script Researcher |
| Production | Melissa Girotti | Travel Coordinator |
| Art | Nick Evans | Set Decoration |
| Production | Mark Logan | Location Manager |
| Sound | Dan Wilken | Sound Recordist |
| Art | Peter DeCurtis | Set Dresser |
| Production | Daniela Barbosa | Production Assistant |
| Crew | Jay Spadaro | Stunts |
| Crew | Morgan Rue | Stunts |
| Crew | Kelly Jones | Stunts |
| Crew | Jamie Jones | Stunt Coordinator |
| Crew | Dana Jones | Stunts |
| Crew | Ciara Jones | Stunts |
| Crew | Jeffrey Lee Gibson | Stunts |
| Crew | Tom Farr | Stunts |
| Crew | Mavis Corrigan | Stunts |
| Crew | Blaise Corrigan | Stunts |
| Crew | Chloe Jones | Stunts |
