Wealthy American, Jervis Pendleton has a chance encounter at a French orphanage with a cheerful 18-year-old resident, and anonymously pays for her education at a New England college. She writes letters to her mysterious benefactor regularly, but he never writes back. Several years later, he visits her at school, while still concealing his identity, and—despite their large age difference—they soon fall in love.
Directing | Jean Negulesco | Director |
Writing | Phoebe Ephron | Screenplay |
Writing | Henry Ephron | Screenplay |
Writing | Jean Webster | Novel |
Production | Samuel G. Engel | Producer |
Camera | Leon Shamroy | Director of Photography |
Art | Lyle R. Wheeler | Art Direction |
Art | Paul S. Fox | Set Decoration |
Sound | Cyril J. Mockridge | Original Music Composer |
Sound | Alfred Newman | Original Music Composer |
Editing | William Reynolds | Editor |
Directing | William E. Orr | Script Supervisor |
Art | John DeCuir | Art Direction |
Art | Walter M. Scott | Set Decoration |
Costume & Make-Up | Helen Turpin | Hairstylist |
Costume & Make-Up | Ben Nye | Makeup Artist |
Directing | Eli Dunn | Assistant Director |
Sound | Alex North | Music |
Costume & Make-Up | Tom Keogh | Costume Design |
Sound | Johnny Mercer | Songs |
Sound | Alfred Bruzlin | Sound |
Sound | Bernard Mayers | Orchestrator |
Crew | Ray Kellogg | Special Effects |
Camera | Leonard Doss | Other |
Sound | Edward B. Powell | Orchestrator |
Sound | Harry M. Leonard | Sound |
Crew | David Robel | Choreographer |
Sound | Billy May | Orchestrator |
Sound | Earle Hagen | Orchestrator |
Sound | Alfred Newman | Music Supervisor |
Sound | Alfred Newman | Conductor |
Costume & Make-Up | Kay Nelson | Costume Design |
Crew | Roland Petit | Choreographer |
Costume & Make-Up | Charles LeMaire | Wardrobe Supervisor |
Sound | Ken Darby | Vocal Coach |
Crew | Fred Astaire | Choreographer |
Sound | Skip Martin | Orchestrator |