Free-associative images are juxtaposed with disorienting poetry in Richter's late work. The film is visual dynamite: Upside-down and reversed footage, play with shadows and light, billiards and dice and balloons-- suggestive and surreal images. Tenets of Dada writing, such as games of chance, punnery, wordplay and loud nonsense noise are foist upon the viewer as Dada poems are read / performed by their orignal authors.
| Directing | Hans Richter | Director |
| Editing | Paul Falkenberg | Editor |
| Editing | Hans Richter | Editor |
| Writing | Jean Arp | Writer |
| Crew | Marcel Duchamp | Poem |
| Crew | Kurt Schwitters | Poem |
| Crew | Georges Ribemont-Dessaignes | Poem |
| Crew | Tristan Tzara | Poem |
| Crew | Walter Mehring | Poem |
| Crew | Richard Huelsenbeck | Poem |
| Crew | Hans Richter | Poem |
| Crew | Marcel Janco | Poem |
| Crew | Raoul Hausmann | Poem |
| Crew | Wladimir Vogel | Poem |
| Crew | Man Ray | Poem |