When Jeannie lost her father, he is waked at home, his pine box laid across two chairs in the parlour; he has long lived inside a box. Based on the poem by Agnes Walsh comes a story of finding a use for everything.
| Directing | Mary Walsh | Director |
| Writing | Mary Walsh | Writer |
| Crew | Agnes Walsh | Poem |
| Production | Mary Walsh | Producer |
| Production | Gill Dawe | Producer |
| Sound | Alan Doyle | Music |
| Sound | Greg Hawco | Music |
| Camera | Troy Maher | Director of Photography |
| Editing | Christian Sparkes | Editor |
| Sound | Adam Foran | Music Editor |
| Production | Jamie Pitt | Casting |
| Art | Ane Christensen | Production Design |
| Costume & Make-Up | Marie J. Sharpe | Costume Design |
| Costume & Make-Up | Kendra Loder | Makeup & Hair |
| Costume & Make-Up | Lorraine Power | Makeup & Hair |
| Production | Lynn Andrews | Production Manager |
| Directing | Andrea Dunne | Second Assistant Director |
| Directing | Erin French | First Assistant Director |
| Art | Jacob Cox | Set Dresser |
| Art | John McClusky | Props |
| Art | John McClusky | Set Decoration |
| Sound | Marco Dölle | Sound Recordist |
| Sound | Adam Foran | Sound Editor |
| Sound | Adam Foran | Sound Mixer |
| Sound | Mark Neary | Boom Operator |
| Visual Effects | Darryl Couch | Visual Effects |
| Art | Zoe Dempster | Swing |
| Camera | Sean Doran | Key Grip |
| Camera | Aaron Elliott | Digital Imaging Technician |
| Camera | Aaron Elliott | Second Assistant Camera |
| Camera | Cecil Johnson | First Assistant Camera |
| Lighting | James Kean | Gaffer |
| Costume & Make-Up | Marie J. Sharpe | Wardrobe Designer |
| Editing | Steve Cook | Colorist |
| Production | Cara Powell | Location Manager |
| Directing | Natalia Hennelly | Continuity |
| Production | Russ Cochrane | Production Assistant |
| Crew | Millie Foley | Catering |
| Production | Cara Powell | Production Coordinator |