In a small town in the 1950s a repertory company meets on Monday morning to start rehearsing the following week's play. This is a ghastly thing written by the aunt of one of the theatre's directors. The producer doesn't try to hide his annoyance about it, and is further exercised when the authoress herself arrives to help. The cast have to try and sort out real-life problems that keep intruding as they wrestle with the play's dire dialogue.
Directing | Ralph Smart | Director |
Production | Robert Garrett | Producer |
Writing | Michael Pertwee | Original Story |
Writing | phillip king | Original Story |
Writing | Jack Davies | Original Story |
Camera | Desmond Davis | Clapper Loader |
Sound | Red Law | Sound Recordist |
Costume & Make-Up | Joan Ellacott | Costume Design |
Sound | Muir Mathieson | Conductor |
Editing | Douglas Robertson | Editor |
Art | Geoffrey Drake | Art Direction |
Production | Jack Rix | Production Manager |
Production | George Pitcher | Associate Producer |
Costume & Make-Up | Bob Lawrance | Makeup Artist |
Sound | Peter Handford | Sound Recordist |
Costume & Make-Up | Gladys Atkinson | Hairdresser |
Directing | Maisie Kelly | Continuity |
Directing | Philip Shipway | Assistant Director |
Sound | Malcolm Arnold | Original Music Composer |
Sound | Leslie Hodgson | Sound Editor |
Camera | Stanley Pavey | Director of Photography |
Camera | Ted Moore | Camera Operator |
Costume & Make-Up | John Wilson-Apperson | Wardrobe Supervisor |