Debord’s eighteen-minute Critique of Separation directs its experimental attentions to “the documentary.” Debord draws from a catalogue of newsreel footage and book covers, rephotographed photographs, views of Paris and its neighborhoods, and a catalogue of disabused, seemingly offhand footage of him and his friends in the porous zone comprising the cafe and the street.
| Directing | Guy Debord | Director |
| Camera | André Mrugalski | Director of Photography |
| Editing | Chantal Delattre | Editor |