The dead man's decentralized life is exemplified in a half-finished will and an incompleted invention of a printing press. The mother impresses upon her two sons the power of concentration by a magnifying glass held to the sun's rays. One accepts the lesson and finishes the work of the father. The other becomes the tool of the rival printer. His lesson was to come through experience and the suffering of others.
| Directing | Anthony O'Sullivan | Director |
| Writing | Harvey Gates | Story |