Eager to find his brother's murderer, Clinton enlists the aid of Nadine, an expensive call girl. Together they get sucked into a plot to smuggle guns to the Contra forces in Nicaragua.
| Writing | Robert Foster | Writer |
| Directing | Jerry Schatzberg | Director |
| Camera | Warner R. Wacha | Second Assistant Camera |
| Camera | Ed Knott Jr. | Key Grip |
| Camera | Richard J. Edesa | Camera Operator |
| Production | Tom Leetch | Production Manager |
| Production | Paula Herold | Casting |
| Sound | Jan Hammer | Original Music Composer |
| Editing | David Ray | Editor |
| Directing | Sonny P. Filippini | Script Supervisor |
| Art | Howard Barker | Production Design |
| Production | Sherry Thorup | Location Manager |
| Directing | P.R. Tooke | Script Supervisor |
| Camera | Isidore Mankofsky | Director of Photography |
| Production | Stephen J. Fisher | Production Manager |
| Directing | Skip Surguine | Second Assistant Director |
| Camera | Bill McConnell Sr. | First Assistant Camera |
| Camera | Casey Osborne | Best Boy Grip |
| Production | Tink Ten Eyck | Production Supervisor |
| Production | Brad R. Loman | Associate Producer |
| Sound | Michael R. Tromer | Sound Mixer |
| Lighting | Pierre Roseman | Gaffer |
| Production | Dennis A. Brown | Executive In Charge Of Production |
| Lighting | Rusty Pouch | Best Boy Electric |
| Costume & Make-Up | Vivian Cocheo | Costumer |
| Directing | Jerram A. Swartz | First Assistant Director |
| Camera | Edward Knott III | Dolly Grip |
| Sound | Jack Dalton | Boom Operator |
| Art | Caryn Wolf | Assistant Art Director |
| Art | Frederic C. Weiler | Set Decoration |
| Costume & Make-Up | Brad R. Loman | Costume Design |
| Production | Ellen Jacoby | Extras Casting |
| Production | Donald March | Producer |