Based on the true story of a Russian serial killer who, over many years, claimed victim to over 50 people. His victims were mostly under the age of 17. In what was then a communists state, the police investigations were hampered by bureaucracy, incompetence and those in power. The story is told from the viewpoint of the detective in charge of the case.
Editing | William Goldenberg | Editor |
Production | Joyce Nettles | Casting |
Camera | Robert Fraisse | Director of Photography |
Sound | David Farmer | Sound Effects Editor |
Sound | Randy Edelman | Original Music Composer |
Art | Lóránt Jávor | Art Direction |
Directing | Chris Gerolmo | Director |
Writing | Chris Gerolmo | Teleplay |
Production | Laura Bickford | Executive Producer |
Editing | Richard Byard | Assistant Editor |
Production | Matthew Chapman | Executive Producer |
Production | Robert Stone | Co-Producer |
Production | Webster Stone | Co-Producer |
Crew | Greg Nicotero | Makeup Effects |
Production | László Sipos | Local Casting |
Production | David R. Ginsburg | Executive Producer |
Production | Timothy Marx | Producer |
Art | József Romvári | Production Design |
Costume & Make-Up | Erzsébet Rácz | Key Hair Stylist |
Crew | Gino Crognale | Makeup Effects |
Crew | Bruce Golin | Post Production Supervisor |
Production | Hans Berggren | Production Accountant |
Sound | Vince Nicastro | Foley Artist |
Sound | Gregg Barbanell | Foley Artist |
Lighting | Péter Sidló | Gaffer |
Art | István Tóth | Set Decoration |
Costume & Make-Up | Maria Hruby | Costume Design |
Sound | Ann Scibelli | Sound Effects Editor |
Sound | Ken Teaney | Sound Re-Recording Mixer |
Directing | Brenda K. Wachel | Script Supervisor |
Sound | John LaSalandra | Music Editor |
Camera | Tamás Nyerges | Steadicam Operator |
Sound | Jason King | Dialogue Editor |
Sound | Tim Gedemer | Supervising Sound Editor |
Sound | William Freesh | Sound Re-Recording Mixer |
Sound | William Freesh | ADR Recordist |
Crew | Ferenc Ormos | Special Effects |
Sound | Allan Byer | Sound Mixer |
Costume & Make-Up | Karoly Balazs | Key Makeup Artist |
Production | József Cirkó | Production Manager |
Camera | Csaba Bankhardt | Grip |
Sound | Pál Szûrös | Boom Operator |
Editing | Gary Burritt | Negative Cutter |
Costume & Make-Up | Zsuzsa Balai | Costume Supervisor |
Camera | Attila Szücs | Key Grip |
Camera | Lajos Simon | Best Boy Grip |
Production | Peter Seres | Location Manager |
Sound | Eric Thompson | Foley Mixer |
Art | Éva Martin | Construction Coordinator |
Camera | István Bese | Dolly Grip |
Writing | Robert Cullen | Book |
Production | Adrianna A.J. Cohen | Production Supervisor |
Directing | Michelangelo Csaba Bolla | First Assistant Director |
Directing | Éva Bognár | Second Assistant Director |
Production | Éva Bognár | Local Casting |
Production | László Lakatos | Unit Manager |
Camera | József Takács | First Assistant Camera |
Lighting | Sándor Novák | Best Boy Electric |
Production | Erzsebet Gaspar | Extras Casting Coordinator |
Art | Bulcsú Balla | Property Master |
Crew | Istvan Pintye | Transportation Coordinator |
Sound | Mike Moser | Sound Effects Editor |