His Oriental predator is at first clothed in black, her 'victim' in white; slowly the costumes change, the victim acquiring a veil of mourning, until finally - as if to underline the ambiguity and interchangeability of their respective roles - the colours are reversed altogether. Still more interesting is the way in which, as the game becomes more ambiguous, Dwoskin adds fresh layers of make-up to his characters' faces, until they become almost caricature masks of their original selves.
| Directing | Stephen Dwoskin | Director |
| Sound | Ron Geesin | Music |
| Crew | Stephen Dwoskin | Cinematography |
| Editing | Stephen Dwoskin | Editor |
| Writing | Harry Smith | Story |
