As America struggled through the Great Depression in the 1930s, a little girl with big dimples and indescribable charm danced her way into the hearts of moviegoers around the world.
| Directing | Nadia Tass | Director |
| Writing | Joe Wiesenfeld | Screenplay |
| Writing | Shirley Temple | Book |
| Writing | Joe Wiesenfeld | Teleplay |
| Production | Melissa Joan Hart | Executive Producer |
| Production | Paula Hart | Executive Producer |
| Production | Iain Paterson | Producer |
| Sound | Bill Elliott | Music |
| Editing | Maryann Brandon | Editor |
| Costume & Make-Up | Amanda Rowbottom | Key Makeup Artist |
| Costume & Make-Up | Cheryl Williams | Hairstylist |
| Art | Chrissy Feld | Set Decoration |
| Costume & Make-Up | Anna Borghesi | Costume Designer |
| Art | Jon Dowding | Production Design |
| Production | Howard Meltzer | Casting |
| Production | Donna Rosenstein | Casting |
| Production | Gina Black | Unit Production Manager |
| Crew | Deborah Sahagun | Post Production Supervisor |
| Production | Brenda K. Kyle | Executive In Charge Of Production |
| Directing | Phil Jones | First Assistant Director |
| Directing | Liz Edwards | Second Assistant Director |
| Directing | Cameron Stewart | Third Assistant Director |
| Sound | Terry O'Bright | Sound Re-Recording Mixer |
| Sound | Andrew Ramage | Sound Mixer |
| Sound | Keith Rogers | Sound Re-Recording Mixer |
| Art | Milo Angel | Graphic Designer |
| Art | Belinda Cusmano | Set Designer |
| Art | Fiona Donovan | Set Designer |
| Art | Michael Plummer | Assistant Art Director |
| Art | Christopher Cox | Assistant Production Design |
| Costume & Make-Up | Alban Farrawell | Costume Supervisor |
| Editing | Sara Hyoun | Assistant Editor |
| Production | Alistair Reilly | Location Manager |
| Directing | Julie Bates | Script Supervisor |
| Crew | Hinton Battle | Choreographer |
| Crew | Bruce Shapiro | Dialogue Coach |
| Production | Rowena Zande | Production Coordinator |
| Camera | David Parker | Director of Photography |
