"Candlewood" follows a family that moves from New York City to a small, isolated town in Connecticut. Once there, their new neighbors and a local urban legend wreak havoc on the family, fracturing their once loving dynamic and causing them to turn on one another.
| Directing | Myke Furhman | Director |
| Writing | Joseph Patrick Convoy | Story |
| Writing | Victoria Flores-Argue | Writer |
| Writing | Myke Furhman | Writer |
| Production | Bedhan Ball | Executive Producer |
| Production | Hamilton Brower | Associate Producer |
| Production | Thomas Fanelli Jr. | Associate Producer |
| Production | Victoria Flores-Argue | Executive Producer |
| Production | Myke Furhman | Producer |
| Production | Brendan Gaul | Associate Producer |
| Production | Scott B. Hansen | Associate Producer |
| Production | Keli Solomon | Producer |
| Production | Sravasti Talukdar | Executive Producer |
| Production | Douglas Vermeeren | Producer |
| Sound | Andrew Scott Bell | Music |
| Crew | George Wieser | Cinematography |
| Editing | Myke Furhman | Editor |
| Editing | Scott B. Hansen | Editor |
| Editing | John Lange | Editor |
| Editing | Chris Roll | Editor |
| Production | Kimberly Graham | Casting |
| Art | Yuvi Idelson | Production Design |
| Art | Sara Deluccia | Art Direction |
| Costume & Make-Up | Allison Kirstukas | Costume Design |
| Costume & Make-Up | Meaghan Elliot | Makeup Department Head |
| Costume & Make-Up | Frida Galicia | Assistant Makeup Artist |
| Costume & Make-Up | Ryan Knuth | Assistant Hairstylist |
| Costume & Make-Up | Belle Phelps | Makeup Artist |
| Production | Ally Evarts | Production Manager |
| Directing | Tara Grace Duffy | Second Assistant Director |
| Directing | Phillip Rush | First Assistant Director |
| Sound | Carmine D’Amore | Sound Mixer |
| Visual Effects | Juan Gonzales-Macias | Visual Effects Supervisor |
| Camera | Evan T. Belliveau | Camera Operator |
| Camera | Mike Dilorenzo | Key Grip |
| Camera | Alex Korpi | Key Grip |
| Camera | Kevin J. Mezick | First Assistant Camera |
| Lighting | Josef Orlandi | Gaffer |
| Camera | Nate Pfingst | Best Boy Grip |
| Camera | Mason Rice | Second Assistant Camera |
| Directing | Joshua Stein | Script Supervisor |
| Art | Alex Echevarria | Storyboard Artist |
| Production | Brendan Dacey | Production Assistant |
| Production | Helen Elizondo | Production Assistant |
| Production | Janice Lackey | Production Assistant |
| Production | Tom Marinelli | Production Assistant |
| Production | Kurtis Pfingst | Production Assistant |
| Production | Ken Sogabe | Production Assistant |
| Crew | Peter Argue | Thanks |
| Crew | Wendy Combor | Thanks |
| Crew | Ethan Carey | Thanks |
| Crew | Mikael Carlson | Thanks |
| Crew | Elizabeth Czajka | Thanks |
| Crew | Denise De Cicco | Thanks |
| Crew | Debbie deFriesse | Thanks |
| Crew | Nasser Doha | Thanks |
| Crew | M. Duggan | Thanks |
| Crew | Brad Goen | Thanks |
| Crew | Khristine Hall | Thanks |
| Crew | Ana Joseph | Thanks |
| Crew | Natalie Mackey | Thanks |
| Crew | Elizabeth A. Martin | Thanks |
| Crew | Clark Mcdonough | Thanks |
| Crew | Dee Anna McPherson | Thanks |
| Crew | Lou Milano | Thanks |
| Crew | David Sasda | Thanks |
| Crew | Phillis Schaer | Thanks |
| Crew | Mike Spada | Thanks |
| Crew | Mark Strachan | Thanks |
| Crew | Peter Wagner | Thanks |
| Crew | Leslie Wilson | Thanks |
| Crew | Tina Wise | Thanks |