A young woman joins the military to be part of something bigger than herself and her small-town roots. Instead, she ends up as a new guard at Guantanamo Bay, where her mission is far from black and white. Surrounded by hostile jihadists and aggressive squadmates, she strikes up an unusual friendship with one of the detainees.
Directing | Peter Sattler | Director |
Production | Gina Kwon | Producer |
Art | Richard A. Wright | Production Design |
Sound | Jess Stroup | Original Music Composer |
Editing | Geraud Brisson | Editor |
Writing | Peter Sattler | Screenplay |
Camera | James Laxton | Director of Photography |
Costume & Make-Up | Christie Wittenborn | Costume Design |
Art | Tom Obed | Assistant Art Director |
Camera | Alex Kornreich | Camera Operator |
Camera | Prashant Gupta | Still Photographer |
Production | Richard Hicks | Casting |
Editing | James Gallivan | Dialogue Editor |
Art | Joshua Locy | Art Direction |
Camera | Eric W. Smith | Camera Operator |
Camera | Beth Dubber | Still Photographer |
Costume & Make-Up | Jessica Lou Allen | Hair Department Head |
Visual Effects | Tim Carras | Visual Effects Supervisor |
Costume & Make-Up | Henry Sanchez | Key Hair Stylist |
Sound | Sanaa Kelley | Foley |
Sound | Michael Perricone | Sound Re-Recording Mixer |
Art | Adam Willis | Set Decoration |
Costume & Make-Up | Jeremy Bramer | Makeup Artist |
Sound | Will Files | Sound Re-Recording Mixer |
Costume & Make-Up | Lorraine Martin | Makeup Department Head |
Visual Effects | Joshua D. Comen | Visual Effects Producer |
Lighting | Mike Gioulakis | Gaffer |
Lighting | Cooper Donaldson | Gaffer |
Camera | Michael J. Wilson | Steadicam Operator |
Sound | Dave DeCoster | Foley |
Sound | Michael Perricone | Supervising Sound Editor |
Directing | Cristina Fanti | Script Supervisor |
Sound | Jeffrey A. Pitts | Sound Effects Editor |
Camera | Adam Stone | Second Unit Director of Photography |