1968: Martin Luther King, Robert Kennedy, and Bobby Hutton are among the recent dead. In Nigeria, the Civil War is entering its second year with no end in sight. In San Francisco, the adventures of Gabriel, a young Nigerian reflects tribal, personal, and racial frictions during the tumultuous sixties. Truth is stranger than fiction in Bushman, a rare sort of film portrait, part document, part imagined - poetic in its approach to real events.
| Directing | David Schickele | Director |
| Writing | David Schickele | Writer |
| Camera | David Myers | Director of Photography |
| Sound | Paul Oppenheim | Sound Recordist |
| Camera | Stephen Lighthill | Additional Director of Photography |
| Camera | Kirk Smallman | Additional Director of Photography |
| Production | Gene Doherty | Production Manager |
| Directing | Cindy Harwood | Script Supervisor |
| Production | Arnie Cohen | Producer |
| Production | Mary Colwell | Producer |
| Production | Daniel Loewenthal | Producer |
| Production | Rick Paup | Producer |
| Production | Pat Riley | Producer |
| Production | James Spears | Producer |
| Production | Ken Valentine | Producer |
| Sound | David Ames | Music |
| Sound | Peter More | Sound Mixer |
| Editing | Jennifer Chinlund | Editor |
| Editing | David Schickele | Editor |
| Crew | Steve Wax | Special Effects |
| Editing | Andrew Drapkin | Color Grading |