Constance, a poor but aspiring composer, meets the great conductor, Franz, through their old music teacher. They fall in love, despite Constance knowing about Franz's weakness for pretty women.
| Directing | Philip Moeller | Director |
| Writing | Victor Heerman | Screenplay |
| Writing | Sarah Y. Mason | Screenplay |
| Writing | Anthony Veiller | Screenplay |
| Writing | Lester Cohen | Story |
| Costume & Make-Up | Mel Berns | Makeup Artist |
| Camera | Robert De Grasse | Director of Photography |
| Production | Pandro S. Berman | Producer |
| Art | Van Nest Polglase | Art Direction |
| Editing | William Hamilton | Editor |
| Costume & Make-Up | Bernard Newman | Costume Design |
| Sound | Philip Faulkner Jr. | Recording Supervision |
| Production | C. J. White | Production Manager |
| Directing | Jane Murfin | Continuity |
| Production | Elizabeth McGaffey | Researcher |
| Art | Carroll Clark | Assistant Art Director |
| Sound | John E. Tribby | Recording Supervision |
| Crew | Patricia Doyle | Stand In |
| Crew | Charles Darwin | Stand In |
| Crew | Newton House | Stand In |
| Sound | Max Steiner | Music Director |
| Directing | Jane Loring | Assistant Director |
