Touch acts as a catalyst to experiment with the possibilities of approaching a Renaissance painting. Using haptic visuality as an affective strategy, the limits between subject and object blur enabling a mutual contagion. The film combines theory and lived experience in a heterodox essay crossed by author's own subjectivity, the body, affect, folklore and feminism.
| Directing | Mirari Echávarri | Director |
| Camera | Mirari Echávarri | Director of Photography |
