Miles Logan is a jewel thief who just hit the big time by stealing a huge diamond. However, after two years in jail, he comes to find out that he hid the diamond in a police building that was being built at the time of the robbery. In an attempt to regain his diamond, he poses as an LAPD detective.
Camera | David Eggby | Director of Photography |
Writing | Stephen Carpenter | Screenplay |
Writing | John Blumenthal | Screenplay |
Editing | Michael Tronick | Editor |
Writing | Michael Berry | Screenplay |
Sound | Ed Shearmur | Original Music Composer |
Directing | Les Mayfield | Director |
Production | Neal H. Moritz | Producer |
Production | Toby Jaffe | Producer |
Crew | Tony R. Medina | Propmaker |
Art | Bill Brzeski | Production Design |
Art | Philip Toolin | Art Direction |
Art | Brana Rosenfeld | Set Decoration |
Costume & Make-Up | Denise Wingate | Costume Design |
Production | Allen Shapiro | Executive Producer |
Production | Daniel Melnick | Executive Producer |
Sound | Ken Ross | Music Supervisor |
Sound | Amanda Goodpaster | Music Editor |
Sound | Tom Kramer | Music Editor |
Sound | Melodee Sutton | Music Coordinator |
Editing | Greg Parsons | Additional Editing |
Editing | James Andrykowski | Assistant Editor |
Editing | Aaron Brock | Assistant Editor |
Editing | Heather Goodwin | Assistant Editor |
Sound | John Morris | Supervising Sound Editor |
Sound | Richard Burton | Sound Editor |
Sound | Thom Brennan | Sound Editor |
Sound | Alison Fisher | Sound Editor |
Sound | Michael Magill | Sound Editor |
Sound | John Joseph Thomas | Sound Editor |
Sound | Tricia Linklater | First Assistant Sound Editor |
Sound | Susan Dudeck | ADR Supervisor |
Sound | Mark Pappas | Foley Supervisor |
Sound | Gary A. Hecker | Foley Artist |
Sound | Michael J. Broomberg | Foley Artist |
Sound | Richard Duarte | Foley Mixer |
Sound | Bill W. Benton | Sound Re-Recording Mixer |
Sound | Jeffrey J. Haboush | Sound Re-Recording Mixer |
Sound | Greg Orloff | Sound Re-Recording Mixer |
Editing | Mike Stanwick | Color Timer |
Sound | Kim H. Ornitz | Production Sound Mixer |
Sound | Brydon Baker III | Boom Operator |
Production | Michael Fottrell | Unit Production Manager |
Directing | Bruce Franklin | First Assistant Director |
Directing | Conte Mark Matal | Second Assistant Director |
Directing | Jeanne Byrd | Script Supervisor |
Costume & Make-Up | Anthony J. Scarano | Wardrobe Supervisor |
Art | Tommy Tomlinson | Property Master |
Art | Kris Peck | Assistant Property Master |
Lighting | Jeff Murrell | Chief Lighting Technician |
Lighting | Steve Reinhardt | Assistant Chief Lighting Technician |
Camera | Audie Aragon | Dolly Grip |
Camera | Butch Von Bulow | Dolly Grip |
Visual Effects | Clayton Pinney | Special Effects Supervisor |
Art | Wayne Shepherd | Leadman |
Art | John H. Samson | Construction Coordinator |
Art | A. Todd Holland | Set Designer |
Art | Fanée Aaron | Set Designer |
Crew | Carol McConnaughey | Unit Publicist |
Camera | Nicola Goode | Still Photographer |
Crew | Richard Cody | Craft Service |
Crew | Michael Antunez | Transportation Captain |
Crew | Mike Fenster | Transportation Co-Captain |
Directing | David R. Ellis | Second Unit Director |
Crew | Troy Robinson | Stunts |
Crew | Freddie Hice | Stunts |
Crew | Bob Brown | Stunts |
Crew | John C. Meier | Stunts |
Crew | Annie Ellis | Stunts |
Crew | Jimmy N. Roberts | Stunts |
Crew | Henry Kingi Jr. | Stunts |