With its interplay of shadow and light, of paint in movement, BLUE LIKE A GUNSHOT is a work of great visual power. It is also a reflection on our world. In its evocation of the conflict between civilization and nature, the absurd vanity of human warfare contrasts with the harmony of the natural world.
| Directing | Masoud Raouf | Director |
| Visual Effects | Masoud Raouf | Animation |
| Crew | Masoud Raouf | Script |
| Sound | Robert Marcel Lepage | Sound Editor |
| Sound | Marc Bureau | Sound Editor |
| Sound | Nicolas Borycki | Sound Editor |
| Sound | Robert Marcel Lepage | Original Music Composer |
| Sound | Robert Langlois | Recording Supervision |
| Art | Louise Overy | Title Designer |
| Sound | Serge Boivin | Sound Re-Recording Mixer |
| Sound | Shelley Craig | Sound Re-Recording Mixer |
| Production | Marie-Gabrielle Forget | Administration |
| Production | Michèle Labelle | Administration |
| Production | Diane Martindale | Administration |
| Production | Diane Régimbald | Administration |
| Crew | Andrée Delagrave | Technical Supervisor |
| Production | Francine Langdeau | Line Producer |
| Production | Masoud Raouf | Executive Producer |
| Production | Marcel Jean | Executive Producer |
| Production | Masoud Raouf | Producer |
| Production | Marc Bertrand | Producer |