Mia has locked herself inside her recently deceased mother's rundown, crumbling house. Armed with a litany of books detailing ancient cultures and rituals, she tries desperately to reach out to the other side and speak to her mother. But when she succeeds, she gets more than she bargained for. Waiting alongside her mother is something monstrous, something that Mia recognises instantly. As she tries to survive the night and escape the ritual alive, Mia is forced to confront a variety of evils - ones from both without, and from within.
| Writing | Adam Scullin | Writer |
| Directing | Adam Scullin | Director |
| Production | Matthew Mitchell | Producer |
| Production | Duke Howard | Producer |
| Sound | Leon Ross | Music |
| Sound | Paul van Nimwegen | Music |
| Camera | Neha Shenvi | Director of Photography |
| Editing | Fitri Amirrol | Editor |
| Production | Annika Rigg | Production Designer |
| Costume & Make-Up | Shanae Piekarek | Makeup Artist |
| Costume & Make-Up | Rosie Watts | Makeup & Hair Assistant |
| Directing | Gemma Carfi | First Assistant Director |
| Directing | Matthew Hargreaves | First Assistant Director |
| Directing | Henry McDowell | First Assistant Director |
| Art | Bronte Mularczyk | Assistant Production Design |
| Art | Emma Wardell | Assistant Production Design |
| Sound | Cam Bird | Sound Designer |
| Sound | Georgia Stewart | Sound Recordist |
| Sound | Xavier Levine | Boom Operator |
| Sound | Isaac Everett | Boom Operator |
| Crew | Ellie Hanuska | Stunts |
| Camera | Angela Basile | First Assistant Camera |
| Camera | Laura Him | Second Assistant Camera |
| Camera | Riley Nimbs | Second Assistant Camera |
| Lighting | Max Kearsley | Best Boy Electric |
| Lighting | Felix Morreo | Best Boy Electric |
| Camera | Dimi Stoforidis | Grip |
| Editing | Jack Wilson-Lee | Colorist |
