The greatness, fall and renaissance of Hammer, the flagship company of British popular cinema, mainly from 1955 to 1968. Tortured women and sadistic monsters populated oppressive scenarios in provocative productions that shocked censorship and disgusted critics but fascinated the public. Movies in which horror was shown in offensive colors: dreadful stories, told without prejudices, that offered fear, blood, sex and stunning performances.
| Directing | Jérôme Korkikian | Director |
| Writing | Jérôme Korkikian | Writer |
| Sound | Hervé Dichampt | Sound |
| Production | Heike Lettau | Producer |
| Camera | Guillaume Tunzini | Director of Photography |
| Camera | Jean-Yves Charpin | Director of Photography |
| Production | Alexandre Bouchard | Production Director |
| Editing | Arnaud Lambert | Color Grading |
| Editing | Olivier Korkikian | Editor |
| Production | Yvette Durrenberger | Producer |
| Production | Andrea Prokesova | Researcher |
| Sound | Olivier Virmont | Sound |
| Sound | Guy Charron | Sound Mixer |
| Sound | Maximilien Mathevon | Original Music Composer |
| Crew | Radia Bouzid | Post Production Supervisor |
| Crew | Romain Debord | Post Production Supervisor |
| Production | Ava Santoni | Production Assistant |
