Between eleven o’clock and midnight one evening, a notorious trafficker Jérôme Vidauban is shot whilst walking in a tunnel in Paris. The case is assigned to Inspector Carrel, who is Vidauban’s perfect double. Using his resemblance to the arch criminal, Carrel manages to infiltrate in Vidauban’s circle of acquaintances and contacts. He becomes embroiled in a bizarre web of intrigue and discovers no shortage of possible murder suspects, all of whom appear to be surprised to see him still alive.
Directing | Henri Decoin | Director |
Production | Jacques Roitfeld | Producer |
Editing | Annick Millet | Editor |
Production | H. Guillot | Unit Manager |
Camera | Raymond Bègue | Still Photographer |
Sound | Henri Sauguet | Original Music Composer |
Production | A. Laurier | Unit Production Manager |
Camera | Nicolas Hayer | Director of Photography |
Sound | Pierre-André Bertrand | Sound Recordist |
Production | Constantin Geftman | Production Manager |
Directing | Wladimir Roitfeld | Assistant Director |
Art | Camille Demangeat | Assistant Production Design |
Art | Henri Morin | Assistant Decorator |
Writing | Henri Decoin | Adaptation |
Writing | Claude Luxel | Novel |
Art | Emile Alex | Production Design |
Costume & Make-Up | René Daudin | Hairstylist |
Directing | F. Colin | Assistant Director |
Sound | William Robert Sivel | Sound Engineer |
Camera | Jean Charvein | Assistant Camera |
Art | Maurice Jumeau | Set Decoration |
Costume & Make-Up | Jacques Fath | Costume Design |
Writing | Marcel Rivet | Adaptation |
Costume & Make-Up | Serge Gleboff | Makeup Artist |
Writing | Henri Jeanson | Dialogue |
Sound | Jacques Carrère | Sound Recordist |
Camera | Noël Martin | Camera Operator |
Camera | Paul Souvestre | Assistant Camera |