The true story of the 1973 tennis match between World number one Billie Jean King and ex-champ and serial hustler Bobby Riggs.
| Writing | Simon Beaufoy | Writer |
| Directing | Jonathan Dayton | Director |
| Directing | Valerie Faris | Director |
| Costume & Make-Up | Alyson Black-Barrie | Hairstylist |
| Production | Faryn Einhorn | Casting Associate |
| Costume & Make-Up | Robin Borman-Wizan | Key Costumer |
| Sound | Matt Dunkley | Orchestrator |
| Crew | Paul E. Stroh | Transportation Coordinator |
| Editing | Pamela Martin | Editor |
| Production | Justine Arteta | Casting |
| Costume & Make-Up | Ketty Gonzalez | Hairstylist |
| Production | Bart Lipton | Production Supervisor |
| Crew | Jared Marshack | Mix Technician |
| Camera | Anthony Cady | Key Grip |
| Lighting | Vince Manocchia | Electrician |
| Editing | Staci Pontius | First Assistant Editor |
| Crew | Mandy Friedrich | Studio Teachers |
| Costume & Make-Up | Yukiko Kinkel | Makeup Artist |
| Sound | Ben Greaves | Boom Operator |
| Sound | Ai-Ling Lee | Sound Designer |
| Lighting | Darin Devonshire | Rigging Grip |
| Art | Alexander Wei | Art Direction |
| Art | Lars Petersen | Construction Coordinator |
| Visual Effects | Scott Gastellu | Digital Compositors |
| Lighting | Brent Studler | Electrician |
| Costume & Make-Up | Jo Kissack Folsom | Assistant Costume Designer |
| Crew | Russell Parks | Post Production Assistant |
| Crew | Chris Raines | Transportation Co-Captain |
| Art | Camille M. Bratkowski | Set Decoration |
| Directing | Lyn Matsuda Norton | Script Supervisor |
| Art | Matthew Flood Ferguson | Set Decoration |
| Costume & Make-Up | Jen Fregozo | Makeup Artist |
| Crew | Jason Miller | Post Production Supervisor |
| Sound | Galen Goodpaster | ADR Editor |
| Costume & Make-Up | Lynda Foote | Costume Supervisor |
| Production | Elizabeth Tyson | Production Coordinator |
| Production | Karen Ruth Getchell | Associate Producer |
| Production | Robert Graf | Producer |
| Art | Judy Becker | Production Design |
| Visual Effects | Scott Balkcom | Digital Compositors |
| Crew | Frank Annunziata | Driver |
| Production | Hunter James Cox | Production Accountant |
| Production | Kim Davis-Wagner | Casting |
| Art | Gregory Byrne | Set Dresser |
| Art | Danielle Osborne | Art Department Coordinator |
| Art | Nicholas Rymond | Leadman |
| Crew | Erik Solky | Stunt Coordinator |
| Costume & Make-Up | Laura Wolford | Set Costumer |
| Directing | Thomas Patrick Smith | First Assistant Director |
| Sound | Chris Diebold | Sound Effects Editor |
| Sound | Ai-Ling Lee | Supervising Sound Editor |
| Costume & Make-Up | Mark Avery | Set Costumer |
| Costume & Make-Up | Mary Zophres | Costume Design |
| Visual Effects | John Stewart | Digital Compositors |
| Lighting | Michael Lowrance | Lighting Technician |
| Production | Danny Boyle | Producer |
| Production | Christian Colson | Producer |
| Camera | Linus Sandgren | Director of Photography |
| Art | Alexander Linde | Art Department Assistant |
| Art | Gregg Szabo | Set Dresser |
| Sound | Mildred Iatrou | Supervising Sound Editor |
| Sound | Lisa Pinero | Sound Mixer |
| Lighting | Brad Hazen | Chief Lighting Technician |
| Costume & Make-Up | Akiko Matsumoto | Makeup Artist |
| Costume & Make-Up | Torsten Witte | Makeup Department Head |
| Camera | Melinda Sue Gordon | Still Photographer |
| Production | Chris Baugh | Location Manager |
| Costume & Make-Up | Lufeng Qu | Makeup Artist |
| Costume & Make-Up | Haruyo Sawada | Key Makeup Artist |
| Directing | Robert E. Kay | Second Assistant Director |
| Art | Wes Hottman | Art Department Assistant |
| Visual Effects | Edson Williams | Visual Effects |
| Costume & Make-Up | Leigh Bell | Key Costumer |
| Art | Alec Contestabile | Assistant Art Director |
| Editing | Audrey Evans | Assistant Editor |
| Sound | George Doering | Musician |
| Production | Paul Belenardo | Production Accountant |
| Costume & Make-Up | Albert Elizondo | Makeup Artist |
| Art | Dwayne Grady | Property Master |
| Visual Effects | Sam Dean | Special Effects Supervisor |
| Lighting | Brad M. Hazen | Gaffer |
| Camera | Jessica L. Lopez | Additional Camera |
| Visual Effects | Derek Drouin | VFX Editor |
| Sound | John Finklea | Music Editor |
| Costume & Make-Up | Natasha Marcelina De Poyo | Makeup Artist |
| Visual Effects | David Robinson | Visual Effects |
| Camera | Davon Slininger | Additional Camera |
| Sound | David V. Butler | ADR Editor |
| Sound | David V. Butler | Dialogue Editor |
| Sound | Nicholas Britell | Original Music Composer |
| Directing | David Marnell | Second Second Assistant Director |
| Art | Jennifer Dawson | Assistant Property Master |
| Art | Sara Escamilla | Graphic Designer |
| Art | Kelly Hemenway | Graphic Designer |
| Sound | Roberto Dominguez Alegria | Foley Mixer |
| Sound | James Ashwill | Foley Mixer |
| Sound | Jack Cucci | Foley Mixer |
| Sound | John T. Cucci | Foley Artist |
| Sound | Mark DeSimone | ADR Mixer |
| Sound | Doug Hemphill | Sound Re-Recording Mixer |
| Sound | Nick Jimenez | ADR Recordist |
| Sound | Chris Navarro | ADR Mixer |
| Sound | Dan O'Connell | Foley Artist |
| Sound | Charleen Richards-Steeves | ADR Mixer |
| Sound | Tim Ryan | ADR Recordist |
| Sound | Carlos Sotolongo | ADR Mixer |
| Crew | Donny Bailey | Stunt Driver |
| Camera | Keith B. Davis | First Assistant "B" Camera |
| Camera | Melissa Fisher | Second Assistant "A" Camera |
| Camera | Jenna Hoffman | Second Assistant Camera |
| Camera | Matt Landry | Best Boy Grip |
| Camera | John Parson | Second Assistant "B" Camera |
| Camera | Ari Robbins | Steadicam Operator |
| Camera | Charles Simons | Dolly Grip |
| Camera | Jorge Sánchez | First Assistant "A" Camera |
| Production | Teresa Brown | Extras Casting |
| Production | James P. Driscoll | Extras Casting |
| Costume & Make-Up | Pernilla Nylander | Seamstress |
| Production | Megan Marquardt | Production Secretary |
| Crew | Elizabeth Himelstein | Dialect Coach |
| Camera | David J. Frederick | Additional Camera |
| Lighting | Christopher Ferguson | Lighting Programmer |
