When new kid in town Ed Wallis is given an assignment to interview an older person, he turns to his mysterious neighbor, Ashby Holt for help. That new connection leads to unexpected journeys for both of them, as Ashby – who turns out to be a retired CIA assassin – deals with a terminal prognosis, and Ed deals with adjusting to life with his newly single mom and developing relationship with a brainy classmate, Eloise.
Directing | Tony McNamara | Director |
Writing | Tony McNamara | Writer |
Production | Alan Pao | Co-Producer |
Production | Scott Putman | Co-Producer |
Production | Stephen Kelliher | Executive Producer |
Editing | Matthew Friedman | Editor |
Art | Brent Thomas | Production Design |
Costume & Make-Up | Richard De Alba | Hair Department Head |
Production | Hilary Davis | Executive Producer |
Production | Compton Ross | Producer |
Sound | Alec Puro | Original Music Composer |
Camera | Christopher Baffa | Director of Photography |
Costume & Make-Up | Herita Jones | Key Makeup Artist |
Production | Luke Daniels | Co-Producer |
Production | Fenella Ross | Executive Producer |
Production | Tom Harberd | Co-Producer |
Art | Tim Pope | Set Decoration |
Production | Josh Kesselman | Producer |
Production | Elliot Ross | Executive Producer |
Costume & Make-Up | Sylvia Hendrix | Key Hair Stylist |
Production | Phil Hunt | Producer |
Production | Angela Demo | Casting |
Production | Jenny Hinkey | Co-Producer |
Production | Rory Koslow | Producer |
Production | Kevin McCormick | Producer |
Costume & Make-Up | Sandra S. Orsolyak | Makeup Department Head |
Costume & Make-Up | Emily Batson | Costume Design |
Sound | Steven R. Smith | Sound Mixer |
Visual Effects | John Attard | Visual Effects Supervisor |
Camera | Naomi Villanueva-Brunner | First Assistant "A" Camera |
Sound | Hillary Holmes | Music Coordinator |
Art | Danielle Aziz | Art Department Coordinator |
Crew | Bob Shelley | Special Effects Coordinator |
Crew | John Cenatiempo | Stunt Double |
Costume & Make-Up | Lauren Reeves Thomas | Costume Supervisor |
Art | Jonathan Barrows | Set Dresser |
Directing | D. J. Barton | Script Supervisor |
Lighting | Frank McGough | Gaffer |
Directing | Kim Barnard | Second Assistant Director |
Camera | Monica Barrios-Smith | Second Assistant "A" Camera |
Sound | Clint Bennett | Music Editor |
Directing | Jonathan Southard | First Assistant Director |
Art | Bennet Silver | Leadman |
Visual Effects | Carlo Tosi | Visual Effects Producer |
Art | Kelly Rubottom | Property Master |
Sound | David Raines | Sound Re-Recording Mixer |
Art | Whitney Yale | Construction Coordinator |
Sound | Darren Sunny Warkentin | Dialogue Editor |
Camera | Ben D. Griffith Jr. | Key Grip |
Crew | Daniel Voltz | Post Production Supervisor |
Visual Effects | Andrea Marotti | Visual Effects Producer |
Lighting | Woody Hayes | Electrician |
Production | Ron Servicky | Location Manager |
Editing | Sherwood Jones | Assistant Editor |
Sound | Seth Colegrove | Music Editor |
Camera | Michelle Hemion Griffis | Second Assistant "B" Camera |
Camera | Stephen Andrew Cook | First Assistant "B" Camera |
Editing | Stewart Arnott | Assistant Editor |
Art | Amber Axelton | Set Dresser |
Art | Sean Keenan | Set Dresser |
Sound | Michael J. McDonald | Sound Re-Recording Mixer |
Crew | Philip Dido | Stunts |
Camera | Dick Van Newkirk | Dolly Grip |
Crew | Harley White | Generator Operator |
Editing | Blake Godfrey | Assistant Editor |
Sound | John Simpson | Foley Artist |
Crew | Dale Frye | Stunts |
Camera | Benjamin Spek | Steadicam Operator |
Crew | Cal Johnson | Stunt Coordinator |
Lighting | Amos Kelso | Best Boy Electric |
Camera | Nicole Lobell | Camera Operator |
Lighting | Peter Rodriguez | Electrician |
Sound | Libby Umstead | Music Supervisor |
Art | Bill Blankenship | Set Dresser |
Lighting | Mitchell Perrin | Electrician |