Liverpool. 1947. Right after World War II, a star struck naive teenage girl joins a shabby theatre troupe in Liverpool. During a winter production of Peter Pan, the play quickly turns into a dark metaphor for youth as she becomes drawn into a web of sexual politics and intrigue and learns about the grown-up world of the theater.
| Directing | Mike Newell | Director |
| Writing | Charles Wood | Writer |
| Writing | Beryl Bainbridge | Novel |
| Production | Philip Hinchcliffe | Producer |
| Sound | Richard Hartley | Music |
| Camera | Dick Pope | Director of Photography |
| Editing | Jon Gregory | Editor |
| Production | Susie Figgis | Casting |
| Art | Mark Geraghty | Production Design |
| Art | David Wilson | Art Direction |
| Costume & Make-Up | Joan Bergin | Costume Design |
| Crew | John McKenna | Armorer |
| Directing | Laerke Sigfred Pedersen | Script Supervisor |
| Costume & Make-Up | Eimer Ní Mhaoldomhnaigh | Assistant Costume Designer |
| Costume & Make-Up | Maeve Paterson | Costume Supervisor |
| Camera | Sean Corcoran | Camera Operator |
| Camera | Des Whelan | Camera Operator |
| Camera | Jonathan Hession | Still Photographer |
| Camera | Tom Collins | Still Photographer |
| Lighting | Con Dempsey Jr. | Gaffer |
| Visual Effects | Maurice Foley | Special Effects Supervisor |
| Editing | Brian Blamey | Dialogue Editor |
| Editing | Derek Holding | Dialogue Editor |
| Sound | Sue Baker | Sound Editor |
| Sound | Peter Maxwell | Sound Re-Recording Mixer |
| Costume & Make-Up | Ann Buchanan | Hair Designer |
| Costume & Make-Up | Francesca Crowder | Hairstylist |
| Editing | Ian Seymour | First Assistant Editor |
| Production | Hilary Dwyer | Producer |
