An idealistic first-time director lives for his art — until he meets a wife of an Italian producer at the Cannes Film Festival. A passionate affair begins, but the couple's romance is tested as they face the temptations of fame and fortune.
Directing | Michael Ritchie | Director |
Writing | Michael Ritchie | Story |
Writing | Don Petersen | Story |
Writing | Don Petersen | Screenplay |
Writing | Walter Bernstein | Screenplay |
Production | Terry Carr | Producer |
Sound | Georges Delerue | Music |
Editing | Richard A. Harris | Editor |
Production | Patricia Mock | Casting |
Art | Willy Holt | Art Direction |
Art | Louis Boussaroque | Set Decoration |
Costume & Make-Up | Tanine Autré | Costume Design |
Costume & Make-Up | Giancarlo Del Brocco | Makeup Designer |
Costume & Make-Up | Alvaro Rossi | Makeup Artist |
Production | Patrick Gordon | Unit Production Manager |
Production | Suzanne Wiesenfeld | Production Manager |
Directing | Marius Manzone | Second Assistant Director |
Directing | Marc Monnet | Assistant Director |
Art | Daniel Braunschweig | Props |
Art | André Davalan | Props |
Sound | Bernard Bats | Sound Mixer |
Sound | Tom Bullock | Sound Editor |
Sound | Richard Burrow | Sound Editor |
Sound | Eugene Finley | Sound Editor |
Sound | Bill Varney | Sound Mixer |
Production | Jacqueline Staup | Casting |
Camera | Jean-Marie Chevron | First Assistant Camera |
Camera | Eugene Herrly | Grip |
Camera | Yves Rodallec | Camera Operator |
Camera | Roberto Russo | Still Photographer |
Production | Pierre Gralhon | Location Manager |
Sound | Maurice Laumain | Music Editor |
Directing | Catherine Prévert | Script Supervisor |
Editing | Carolyn H. Abe | Assistant Editor |
Editing | Jack Garsha | Color Timer |
Editing | Françoise Roumanet | Assistant Editor |
Editing | Burton J. Sears | Assistant Editor |
Editing | John T. Benson | Assistant Editor |
Crew | Roy A. Grace | Driver |
Crew | Maria Grazia Marescalchi | Dialogue Coach |
Camera | Henri Decaë | Director of Photography |