Dance becomes a vehicle to show love's different phases. Amor y Asfixia consists of three scenes that seek to dismantle certain social stereotypes linked to the women's body and its role in dance. It's a short film that experiments with the human body to initiate a bigger discussion.
| Directing | Daniela Escolar | Director |
| Crew | Gabriel Argüello | Cinematography |
| Camera | Belén Pellicano | Camera Operator |
| Camera | Joaquín Pulpeiro | Assistant Camera |
| Camera | Lucila Rivas | Focus Puller |
| Production | Camilo Benitez | Production Manager |
| Production | Daniela Escolar | Producer |
| Production | Theo Fernández | Production Assistant |
| Art | Sara Barugel | Graphic Designer |
| Production | Belén Pellicano | Business Affairs Coordinator |
| Editing | Leonardo Cardemil | Editor |
| Directing | Antonio Carrón | Assistant Director |
| Lighting | María Burgos Oviedo | Gaffer |
| Editing | Julia Gestoso | Colorist |
| Camera | Gonzalo Crevatin | Steadicam Operator |
| Crew | Miguel G. Massenio | Post Production Supervisor |
| Crew | Roberto Porta | Post Production Supervisor |
| Crew | Andrea Sarno | Post Production Supervisor |
| Crew | José Andrés Geria | Post Production Supervisor |
| Crew | Evgeniia Rylova | Post Production Supervisor |
| Sound | Martin Gorosito | Sound Post Supervisor |
| Sound | Camilo Molina | Sound Post Supervisor |
| Sound | Francisco Nobile | Sound Mixer |
| Sound | Francisco Nobile | Foley |
| Sound | Theo Naishtat | Musician |
| Sound | Guido González | Musician |
| Camera | Sofía Calderón | BTS Photographer |
| Art | Paula Monesterolo | Art Direction |
| Art | Sara Barugel | Assistant Art Director |
