Matt and George investigate a series of strange occurrences involving newcomers, who are found to be programmed to carry out someone's dirty work. The method by which they are brainwashed dates back to the slave ship's rebellion group, the Udara, who, we discover, Susan was a part of. Susan and George's lives are further disrupted when Buck enrols in the police academy.
| Writing | Renee Longstreet | Writer |
| Production | Ron Mitchell | Producer |
| Camera | Ronald Víctor García | Director of Photography |
| Art | Joe Del Monte | Construction Coordinator |
| Directing | Kenneth Johnson | Director |
| Crew | Rick Stratton | Makeup Effects |
| Art | Drew Williams | Leadman |
| Visual Effects | Tim Landry | Visual Effects Supervisor |
| Art | Kathy Curtis-Cahill | Set Decoration |
| Costume & Make-Up | Catherine Adair | Costume Design |
| Costume & Make-Up | Edouard F. Henriques | Makeup Artist |
| Art | Michael Wilson | Property Master |
| Costume & Make-Up | Zoltan Elek | Makeup Artist |
| Writing | Harry Longstreet | Writer |
| Sound | Kim Naves | Music Editor |
| Crew | Walter Lab | Scenic Artist |
| Sound | Anthony David Sanucci | Boom Operator |
| Crew | Jon H. Epstein | Stunt Coordinator |
| Writing | Rockne S. O'Bannon | Characters |
| Art | Martha Goode | Art Department Coordinator |
| Camera | Wendy Van Dyke | First Assistant Camera |
| Directing | Petra Jorgensen | Script Supervisor |
| Costume & Make-Up | Karen Westerfield | Makeup Artist |
| Sound | David John West | Sound Re-Recording Mixer |
| Editing | Carin-Anne Strohmaier | First Assistant Editor |
| Sound | Maciek Malish | Dialogue Editor |
| Sound | Edward L. Moskowitz | Sound Mixer |
| Lighting | Jeffrey Ray Strong | Best Boy Electric |
| Sound | Steve Dorff | Original Music Composer |
| Directing | Venita Ozols-Graham | First Assistant Director |
| Sound | Nello Torri | Sound Re-Recording Mixer |
| Sound | Doug E. Turner | Sound Re-Recording Mixer |
| Costume & Make-Up | Buffy Snyder | Wardrobe Supervisor |
| Production | Marvin J. Bernstein | Location Manager |
| Sound | David Rawlinson | Supervising Sound Editor |
| Visual Effects | F. Lee Stone | Special Effects Supervisor |
| Camera | Sean Doyle | Camera Operator |
| Editing | Alan C. Marks | Editor |
| Camera | Gary Welch | Key Grip |
| Costume & Make-Up | Yvonne Kubis | Key Costumer |
| Production | Irene Cagen | Casting |
| Costume & Make-Up | David Abbott | Key Makeup Artist |
| Costume & Make-Up | Ellen Powell | Hairstylist |
| Art | Rob Tharp | Lead Painter |
| Sound | Christopher B. Reeves | Supervising Sound Editor |
| Costume & Make-Up | Carolyn Ferguson | Hairstylist |
| Production | Ron Mitchell | Production Manager |
| Art | Colin D. Irwin | Art Direction |
| Costume & Make-Up | Janna Phillips | Makeup Artist |
| Costume & Make-Up | Craig Reardon | Makeup Artist |
| Production | Enid L. Kantor | Production Supervisor |
| Crew | Bob Brown | Stunts |