When detectives Sikes and Francisco are presented with the mysterious death of an Eeno, Matt is stupefied to discover that George rudely snubs the case. He, like most newcomers, reviles the outcast Eenos. As the case unfolds, George has to reassess his prejudices, and George's family help save the city from an alien threat originating in an Eeno waste disposal facility.
| Writing | Andrew Schneider | Writer |
| Crew | Kenneth Johnson | Creator |
| Directing | Kenneth Johnson | Director |
| Writing | Diane Frolov | Writer |
| Writing | Rockne S. O'Bannon | Characters |
| Sound | Steve Dorff | Music |
| Art | Kathy Curtis-Cahill | Set Decoration |
| Costume & Make-Up | Catherine Adair | Costume Design |
| Costume & Make-Up | Rick Stratton | Makeup Designer |
| Art | Drew Williams | Leadman |
| Sound | Anthony David Sanucci | Boom Operator |
| Costume & Make-Up | Edouard F. Henriques | Makeup Artist |
| Crew | Walter Lab | Scenic Artist |
| Costume & Make-Up | Carolyn Ferguson | Hairstylist |
| Art | Caroline Quinn | Set Designer |
| Visual Effects | F. Lee Stone | Special Effects Supervisor |
| Crew | Jon H. Epstein | Stunt Coordinator |
| Costume & Make-Up | Karen Westerfield | Makeup Artist |
| Art | Michael Wilson | Property Master |
| Directing | Judith Saunders | Script Supervisor |
| Editing | David Strohmaier | Editor |
| Sound | Christopher B. Reeves | Dialogue Editor |
| Visual Effects | Angie Russell | Visual Effects Producer |
| Costume & Make-Up | Yvonne Kubis | Key Costumer |
| Costume & Make-Up | Kenny Myers | Makeup Artist |
| Art | Colin D. Irwin | Production Design |
| Visual Effects | Tim Landry | Visual Effects Supervisor |
| Production | Irene Cagen | Casting |
| Costume & Make-Up | David Abbott | Makeup Department Head |
| Directing | Venita Ozols-Graham | First Assistant Director |
| Sound | Thierry J. Couturier | Supervising Sound Editor |
| Sound | Maciek Malish | Dialogue Editor |
| Sound | Todd Orr | Sound Re-Recording Mixer |
| Sound | David Rawlinson | Supervising Sound Editor |
| Production | Marvin J. Bernstein | Location Manager |
| Art | Martha Goode | Art Department Coordinator |
| Sound | Edward L. Moskowitz | Sound Mixer |
| Costume & Make-Up | Buffy Snyder | Wardrobe Supervisor |
| Sound | Kim Naves | Music Editor |
| Production | Ron Mitchell | Producer |
| Crew | Richard Snell | Makeup Effects |
| Production | Enid L. Kantor | Production Supervisor |
| Sound | Nello Torri | Sound Re-Recording Mixer |
| Sound | David John West | Sound Re-Recording Mixer |
| Crew | Scott Sohan | Visual Effects Editor |
| Camera | Ronald Víctor García | Director of Photography |
| Costume & Make-Up | Janna Phillips | Makeup Artist |
| Art | Joe Del Monte | Construction Coordinator |
| Lighting | Jeffrey Ray Strong | Best Boy Electric |
| Camera | Sean Doyle | Camera Operator |
| Costume & Make-Up | Ellen Powell | Hairstylist |
| Costume & Make-Up | Craig Reardon | Makeup Artist |
| Art | Rob Tharp | Lead Painter |
| Camera | Wendy Van Dyke | First Assistant Camera |
| Sound | Doug E. Turner | Sound Re-Recording Mixer |
| Crew | Nancy Thurston | Stunts |
| Crew | Jennifer Watson-Johnston | Stunts |
| Crew | Denney Pierce | Stunts |
| Crew | Kurt D. Lott | Stunts |
