Alexander's day begins with gum stuck in his hair, followed by more calamities. Though he finds little sympathy from his family and begins to wonder if bad things only happen to him, his mom, dad, brother, and sister all find themselves living through their own terrible, horrible, no good, very bad day.
You can now watch Alexander and the Terrible, Horrible, No Good, Very Bad Day online on the following streaming providers in the United States.
| Sound | Michael Payne | Sound Effects Editor |
| Costume & Make-Up | Nancy Steiner | Costume Design |
| Production | Philip Steuer | Executive Producer |
| Production | Philip Steuer | Unit Production Manager |
| Art | Michael Corenblith | Production Design |
| Sound | John Ross | Sound Re-Recording Mixer |
| Editing | Pamela Martin | Editor |
| Costume & Make-Up | Bill Corso | Makeup Artist |
| Production | Tamara Notcutt | Casting |
| Production | Shawn Levy | Producer |
| Production | Randi Hiller | Casting |
| Sound | Christophe Beck | Original Music Composer |
| Costume & Make-Up | Deborah La Mia Denaver | Makeup Department Head |
| Crew | Christine Lakin | Choreographer |
| Camera | Terry Stacey | Director of Photography |
| Directing | Miguel Arteta | Director |
| Art | Gary Isbell | Leadman |
| Crew | Susan Hegarty | Dialect Coach |
| Production | Jason Lust | Executive Producer |
| Production | Lisa Henson | Producer |
| Crew | Ernie Malik | Unit Publicist |
| Production | Robert Foulkes | Location Manager |
| Camera | Dale Robinette | Still Photographer |
| Sound | Knox White | Boom Operator |
| Art | Susan Benjamin | Set Decoration |
| Crew | Garrett Warren | Stunt Coordinator |
| Sound | Kerry Ann Carmean | Foley Editor |
| Sound | Andrew DeCristofaro | Supervising Sound Editor |
| Crew | J.D. Schwalm | Special Effects Coordinator |
| Camera | Simon Jayes | Camera Operator |
| Sound | Nancy MacLeod | Sound Effects Editor |
| Production | Daniel S. Levine | Producer |
| Art | Stephen Christensen | Art Direction |
| Writing | Rob Lieber | Screenplay |
| Writing | Rob Lieber | Screenstory |
| Writing | Judith Viorst | Book |
| Visual Effects | Patrick McClung | Visual Effects Supervisor |
| Costume & Make-Up | Aimee McCue | Set Costumer |
| Costume & Make-Up | Linda Matthews | Costume Supervisor |
| Art | Lorrie Campbell | Set Designer |
| Art | Susannah Carradine | Art Department Coordinator |
| Production | Will Rack | Associate Producer |
| Sound | Aiden Ramos | Sound Recordist |
| Sound | Fernand Bos | Music Editor |
| Crew | Geno Hart | Transportation Coordinator |
| Production | Matthew Hirsch | Production Supervisor |
| Sound | Michelle Pazer | Dialogue Editor |
| Costume & Make-Up | Cinzia Zanetti | Makeup Artist |
| Costume & Make-Up | Cinzia Zanetti | Key Makeup Artist |
| Sound | Myron Nettinga | Sound Re-Recording Mixer |
| Sound | Becky Sullivan | Supervising Sound Editor |
| Sound | Dan Hegeman | Sound Effects Editor |
| Sound | Philip Tallman | Music Editor |
| Costume & Make-Up | Peter Tothpal | Hairstylist |
| Art | J.P. Jones | Property Master |
| Directing | Rebecca Robertson | Script Supervisor |
| Costume & Make-Up | Shandra Page | Hair Department Head |
| Lighting | Charlie McIntyre | Rigging Gaffer |
| Costume & Make-Up | Becky Cotton | Makeup Artist |
| Lighting | Michael Bauman | Chief Lighting Technician |
| Crew | Marty Osborne | Picture Car Coordinator |
| Sound | Glynna Grimala | Supervising ADR Editor |
| Costume & Make-Up | Teressa Hill | Hairstylist |
| Camera | Kim Guthrie | First Assistant Camera |
| Lighting | Rick Harris | Rigging Grip |
| Camera | Les T. Tomita | Key Grip |
| Art | Terry Scott | Construction Coordinator |
| Costume & Make-Up | Lynda Kyle Walker | Key Hair Stylist |
| Costume & Make-Up | Pauletta O. Lewis | Hairstylist |
| Camera | Zoran Veselic | First Assistant Camera |
| Camera | Robert 'Caz' Duffy | First Assistant Camera |
| Editing | Dan Muscarella | Color Timer |
| Lighting | Jose F. Barrios | Rigging Grip |
| Costume & Make-Up | Andrea Jackson | Hairstylist |
| Camera | Richard Crompton | Dolly Grip |
| Art | Tony Castagnola | Greensman |
| Visual Effects | Christopher Lance | Visual Effects Supervisor |
| Crew | Clint Carney | Prop Maker |
| Costume & Make-Up | Roz Music | Makeup Department Head |
| Art | Everett Chase | Set Designer |
| Visual Effects | Amol Parulekar | Visual Effects Producer |
| Production | Blanca Lista | Production Executive |
| Editing | Staci Pontius | First Assistant Editor |
| Camera | Robert Heine | First Assistant Camera |
| Visual Effects | John Paul Molloy | Modeling |
| Costume & Make-Up | Jimmy Jay | Key Set Costumer |
| Art | Rocco Francesco Paolone | Painter |
| Camera | Alan Shultz | Dolly Grip |
| Visual Effects | Jane Reynolds | Visual Effects Coordinator |
| Crew | Maura Gannett | Studio Teachers |
| Camera | Jack Glenn | Dolly Grip |
| Costume & Make-Up | Rachel Bonner | Hairstylist |
| Costume & Make-Up | Jenni Clark | Makeup Artist |
| Costume & Make-Up | John Damiani | Makeup Artist |
| Costume & Make-Up | Valerie Jackson | Hairstylist |
| Costume & Make-Up | Lisa Nash-Jones | Makeup Artist |
| Costume & Make-Up | Judy Staats | Makeup Artist |
| Costume & Make-Up | K. Troy Zestos | Hairstylist |
| Directing | Sunday Stevens | First Assistant Director |
| Art | Louie Esparza | Lead Painter |
| Art | Jeffe Jenkins | Lead Painter |
| Visual Effects | David Masure-Bosco | Visual Effects Coordinator |
| Camera | Jeremy M. Griffiths | Dolly Grip |
| Camera | Bradley Richard | Camera Operator |
| Camera | John Stradling | First Assistant Camera |
| Sound | Steve Nelson | Sound Mixer |
