A scientist researching if an A.I. can process love discovers that with love, comes trauma.
| Directing | Jana Davis | Director |
| Writing | Brody Wellmaker | Writer |
| Production | Andrew J. Lee | Producer |
| Sound | Josh Cook | Music |
| Crew | Blair Winders | Cinematography |
| Editing | Alastair Cook | Editor |
| Art | Matt Brohammer | Production Design |
| Costume & Make-Up | Erin Chaney | Key Makeup Artist |
| Costume & Make-Up | Emmalee Mims | Assistant Makeup Artist |
| Directing | Jessica Farmer | Second Assistant Director |
| Directing | Bri Johnson | First Assistant Director |
| Sound | Michael Archacki | Sound Designer |
| Sound | Michael Archacki | Supervising Sound Editor |
| Sound | Eddie Castro | Boom Operator |
| Sound | Lucas Cockcroft | Sound Editor |
| Sound | Zavian Lewis | Boom Operator |
| Sound | Lou Rosado | Sound Mixer |
| Crew | Christopher C. Padilla | Stunts |
| Camera | Joe Ahrends | Best Boy Grip |
| Camera | Will Culick | First Assistant Camera |
| Lighting | Jonah Cuozzo | Best Boy Electric |
| Camera | Danna Garcia | Second Assistant Camera |
| Lighting | Greg Golter | Gaffer |
| Camera | Henry Held | First Assistant Camera |
| Camera | Bryan Lee | Key Grip |
| Camera | Ron Reeves | Best Boy Grip |
| Camera | Stefan Vino-Figueroa | Camera Operator |
| Costume & Make-Up | Katelyn Studer | Costumer |
| Production | Michael Esposito Jr. | Location Production Assistant |
| Production | Matthew David Sparks | Location Manager |
| Production | Brittany Broderick | Production Assistant |
| Production | Mike Esposito | Production Assistant |
| Production | Demarcus Stanley | Production Assistant |
