An hour-long collage essay, charging the discussion with her enlightened aesthetic of poetry, the archive, and experimental montage. As the Most Dangerous Woman Alive, Goldman’s life is seen as an ongoing negotiation of revolutionary purity and personal freedom, a complexity that Child mirrors in her own formal strategies. She layers multiple fragments of Emma’s liberatory legacy—from archive, from reenactment and from observational cinema—her speculative play with the revolutionary ideas extending to the present moment of feminist revolt!
| Directing | Abigail Child | Director |
| Editing | Abigail Child | Editor |
| Camera | Abigail Child | Camera Operator |
| Sound | Andrea Parkins | Music |