In this film, which takes place to the rhythm of Schubert's Military March, the point, this first form, by its multiplication and the chosen orientations, allows us to see how it can be chained to form lines, shapes, surfaces, to form ensembles that ultimately occupy the entire surface of the screen.
| Directing | René Jodoin | Director |
| Production | Robert Forget | Producer |
| Sound | Normand Roger | Music |