Based on the true story of First Sergeant Charles Monroe King, a soldier deployed to Iraq begins to keep a journal of love and advice for his infant son. Back at home, senior New York Times editor Dana Canedy revisits the story of her unlikely, life-altering relationship with King and his enduring devotion to her and their child.
Writing | Dana Canedy | Novel |
Writing | Virgil Williams | Adaptation |
Production | Jason Blumenthal | Producer |
Directing | Denzel Washington | Director |
Production | Steve Tisch | Producer |
Production | Denzel Washington | Producer |
Production | Michael B. Jordan | Producer |
Production | Todd Black | Producer |
Writing | Virgil Williams | Screenplay |
Production | Molly Allen | Executive Producer |
Production | David Bloomfield | Executive Producer |
Production | Aaron L. Gilbert | Executive Producer |
Production | Jason Cloth | Executive Producer |
Production | Richard McConnell | Executive Producer |
Sound | Marcelo Zarvos | Original Music Composer |
Camera | Maryse Alberti | Director of Photography |
Editing | Hughes Winborne | Editor |
Art | Sharon Seymour | Production Design |
Art | Peter Borck | Art Direction |
Art | James C. Feng | Art Direction |
Art | Michelle Schluter-Ford | Set Decoration |
Art | Halina Siwolop | Set Decoration |
Costume & Make-Up | Sharen Davis | Costume Design |
Art | Eva Firshein | Set Decoration Buyer |
Art | Diem Hoang | Assistant Art Director |
Art | Allison Krumwiede | Assistant Art Director |
Art | Stephen Morahan | Assistant Art Director |
Sound | Scott Millan | Sound Re-Recording Mixer |
Sound | Greg Orloff | Sound Re-Recording Mixer |
Sound | Mandell Winter | Supervising Sound Editor |
Visual Effects | Brian Drewes | Visual Effects Supervisor |
Visual Effects | Troy Moore | Visual Effects Supervisor |
Costume & Make-Up | Helen Monaghan | Costume Supervisor |
Visual Effects | John Allegretti | Visual Effects |
Crew | Chad Tyler | Stand In |
Crew | Janelle Beaudry | Utility Stunts |