A couple of rubber workers from Manaus are transported from 1919, the end of the Spanish Flu in Brazil, to 2020, the height of the Covid-19 pandemic. Between quinine, British tea, street music and internet modem, the couple's adventures, under the intoxicating opium of pornochanchada, show how the country's conservative structures have been maintained since other carnivals.
Writing | Francis Madson | Writer |
Writing | Cenog | Writer |
Art | Francis Madson | Art Direction |
Directing | Francis Madson | Director |
Costume & Make-Up | Francis Madson | Costumer |
Camera | César Nogueira | Director of Photography |
Camera | Robert Coelho | Assistant Camera |
Camera | Naila Fernandes | Assistant Camera |
Editing | César Nogueira | Editor |
Sound | Heverson Batata | Sound Mixer |
Sound | Diego Freitas | Sound |
Sound | Robson Andrei | Music |
Editing | Wesley Santos | Colorist |
Production | Reinel García | Publicist |
Lighting | Evandro Repolho da Silva | Electrician |
Crew | Evandro Repolho da Silva | Machinist |
Costume & Make-Up | Emerson Souza | Makeup & Hair |
Production | Ítalo Almeida | Production Director |
Production | Ane Oipasam | Production Assistant |
Production | Sofia Sahakian | Production Assistant |
Art | Bárbara Agnes | Art Designer |
Crew | Cláudia Maria da Silva | Logistics Coordinator |