A father buys his closeted son a night with a prostitute.
| Directing | Gregory Cooke | Director |
| Camera | Steven 'Trainset' Curtis | Still Photographer |
| Crew | Dermott Downs | Cinematography |
| Art | Nick Xatzis | Property Master |
| Sound | Lorita de la Cerna | Foley Mixer |
| Camera | Travis Daking | Second Assistant Camera |
| Sound | Lorita de la Cerna | ADR Mixer |
| Writing | Christopher Landon | Writer |
| Production | Nevada Basile | Line Producer |
| Sound | Dennis Michael Tenney | Sound Effects Editor |
| Production | Line Postmyr | Producer |
| Sound | Stuart C. Bailey | Dialogue Editor |
| Camera | Atanas Radev | Grip |
| Directing | Ian Royston | Second Assistant Director |
| Sound | James Ridgley | Sound Mixer |
| Sound | Dennis Michael Tenney | Sound Re-Recording Mixer |
| Camera | Matt Baker | First Assistant Camera |
| Lighting | Kip Bogdahn | Gaffer |
| Directing | Denise C. Plumb | Script Supervisor |
| Sound | Peter Rafelson | Music |
| Sound | Noah Greenstone | Boom Operator |
| Camera | Tak Matsuda | Grip |
| Camera | Larry Sweet | Key Grip |
| Camera | Scott Trotta | Grip |
| Production | Christopher Landon | Line Producer |
| Camera | Joel Bystrom | Key Grip |
| Editing | Lorne Morris | Editor |
| Art | Jonathan Mills | Title Designer |
| Production | Gregory Cooke | Producer |
| Sound | Stuart C. Bailey | ADR Editor |
| Sound | Leslie Bloome | Foley Artist |
| Sound | Kitty Malone | Foley Artist |
| Directing | Michael A. Allowitz | First Assistant Director |
| Sound | Jan Kikumoto | Sound Supervisor |
| Sound | James Ridgley | Production Sound Mixer |
| Lighting | Erik Capek | Electrician |
| Camera | Lee Jimenez | Best Boy Grip |
| Production | Suzanne Morris | Line Producer |
| Production | Eleanor Cooke | Casting |
| Art | Mac Downs | Art Direction |
| Costume & Make-Up | Dimas Vasquez | Makeup & Hair |
| Lighting | Steve Dascalos | Best Boy Electric |
