After Marnie Watson kills her abusive husband in self-defense, she is condemned to house arrest... only to discover that the house is possessed by the enraged and violent spirit of her dead husband.
| Directing | Eric Red | Director |
| Production | Ed Elbert | Producer |
| Production | Jonathan Sanger | Producer |
| Production | Sarah Black | Producer |
| Editing | Anthony Redman | Editor |
| Art | Márton Ágh | Production Design |
| Production | Nancy Foy | Casting |
| Writing | Eric Red | Writer |
| Costume & Make-Up | Bridget O'Neill | Makeup Department Head |
| Camera | Ken Kelsch | Director of Photography |
| Art | Judit Varga | Art Direction |
| Sound | John Frizzell | Music |
| Costume & Make-Up | Éva Vass | Costume Design |
| Visual Effects | Matthew Gratzner | Visual Effects Supervisor |
| Sound | Stephen Hunter Flick | Supervising Sound Editor |
| Sound | Peter Michael Sullivan | Sound Re-Recording Mixer |
| Sound | Lisa A. Arpino | Music Editor |
| Crew | Rachael Weinzimer | Property Master |
| Lighting | Brian Pryzpek | Gaffer |
| Sound | Tony Margulies | Foley |
| Crew | Robert G. Willard | Special Effects Coordinator |
| Visual Effects | David Sanger | Visual Effects Producer |
| Lighting | Péter Sidló | Gaffer |
| Art | Richard Tenewitz | Construction Coordinator |
| Crew | Zoltán Gulyás Kiss | Stunt Coordinator |
| Art | Victor Littlejohn | Props |
| Camera | Károly Kamerda | Assistant Camera |
| Camera | Gusztáv Kirsch | Focus Puller |
| Visual Effects | Llyr Tobias Johansen | Visual Effects Coordinator |
| Editing | Michael Nouryeh | Associate Editor |
| Camera | Zsolt Big Nagy | Epk Camera Operator |
| Visual Effects | Ferenc Török | Pyrotechnic Supervisor |
| Visual Effects | Jeffrey Jasper | Digital Compositor |
| Editing | George Papuashvili | Additional Editor |
| Editing | Brian Beard | Digital Intermediate Editor |
| Costume & Make-Up | Réka Görgényi | Makeup Artist |
| Production | Lee Genick | Extras Casting |
| Camera | Rob Koch | First Assistant "A" Camera |
| Production | Bryan Riley | Casting Associate |
| Crew | Corey Helmer | Pyrotechnician |
| Costume & Make-Up | Tina LaSpina | Key Makeup Artist |
| Crew | Ferenc Gombás | Pyrotechnician |
| Visual Effects | Matt Kutcher | Special Effects Supervisor |
| Directing | Michelangelo Csaba Bolla | First Assistant Director |
| Editing | Benedek Kabán | Colorist |
| Visual Effects | Matt Kelly | Digital Compositor |
| Visual Effects | James Pastorius | Digital Compositor |
| Camera | István Gottmann | Assistant Camera |
| Costume & Make-Up | Kelly Marazzi | Hairstylist |
| Costume & Make-Up | Eileen Kastner-Delago | Makeup Artist |
| Editing | Adam Hawkey | Digital Intermediate Colorist |
| Art | József Kiss | Construction Manager |
| Costume & Make-Up | Veronika Szigeti | Key Costumer |
| Camera | Ákos Gulyás | Assistant Camera |
| Lighting | Chris Zizzo | Best Boy Electric |
| Camera | Vilmos Keszler | Grip |
| Camera | Gábor Garai | Second Assistant Camera |
| Costume & Make-Up | Shelby Saboy | Key Costumer |
| Crew | Attila Török | Pyrotechnician |
| Crew | Robert Chapin | Digital Supervisor |
| Editing | Paul Allia | Colorist |
| Camera | Attila Szücs | Dolly Grip |
| Directing | Orsolya Vercz | Script Supervisor |
| Editing | Dávid Jancsó | Assistant Editor |
| Costume & Make-Up | Paul Jones | Makeup Effects Designer |
| Crew | Ferenc Hábetler | Pyrotechnician |
| Crew | Michael Theurer | Digital Producer |
| Directing | Peter Pálka | First Assistant Director |
| Lighting | Péter Pozsonyi | Electrician |
| Costume & Make-Up | Melinda Domán | Assistant Costume Designer |
| Crew | Attila Vásári | Pyrotechnician |
| Crew | Lori Freitag-Hild | Compositor |
| Editing | Gilbert Carreras | Color Timer |
| Camera | Liz Sales | Second Assistant "A" Camera |
| Crew | Norbert Orosz | Pyrotechnician |
| Production | Stephen L'Heureux | Producer |
