In Paris, a young American who works as a Michael Jackson lookalike meets Marilyn Monroe, who invites him to her commune in Scotland, where she lives with Charlie Chaplin and her daughter, Shirley Temple.
Directing | Harmony Korine | Director |
Writing | Harmony Korine | Author |
Writing | Avi Korine | Author |
Production | Charles-Marie Anthonioz | Producer |
Production | Agnès B. | Executive Producer |
Production | Adam Bohling | Producer |
Production | Ann Carli | Producer |
Production | Richard Mansell | Producer |
Production | Hengameh Panahi | Producer |
Production | Harmony Korine | Producer |
Production | Nadja Romain | Producer |
Production | Peter Watson | Executive Producer |
Writing | Harmony Korine | Screenplay |
Writing | Avi Korine | Screenplay |
Production | James Flynn | Producer |
Camera | Marcel Zyskind | Director of Photography |
Editing | Paul Zucker | Editor |
Editing | Valdís Óskarsdóttir | Editor |
Art | Richard Campling | Production Design |
Art | Johnny Campling | Art Direction |
Art | Marie-Laure Valla | Set Decoration |
Costume & Make-Up | Judy Shrewsbury | Costume Design |
Sound | Sun City Girls | Music |
Sound | Jason Pierce | Music |
Costume & Make-Up | Jo Allen | Makeup Designer |
Costume & Make-Up | Jo Allen | Hair Designer |
Sound | Liz Gallacher | Music Supervisor |
Production | Sarah Crowe | Casting |
Production | Dean O'Toole | Production Manager |
Crew | Paul Herbert | Stunt Coordinator |
Directing | James Hagger | First Assistant Director |
Production | Catia Di Giorgio | Production Coordinator |
Sound | Jamie Gambell | Sound Mixer |
Costume & Make-Up | Mark English | Makeup Supervisor |
Costume & Make-Up | Mark English | Hair Supervisor |
Costume & Make-Up | Kristie Matthiae | Makeup & Hair |
Costume & Make-Up | Alex Rouse | Wigmaker |
Costume & Make-Up | Camille Ballouhey | Wardrobe Master |
Camera | Simon Tindall | Focus Puller |
Camera | Henry Landgrebe | Clapper Loader |
Camera | Pete Nash | Grip |
Camera | Paul Dain | Camera Trainee |
Sound | Ben Greaves | Boom Operator |
Sound | Simon Bysshe | Boom Operator |
Production | Richard McNeill | Production Accountant |
Directing | Laure Bregevin | Script Supervisor |
Crew | Paul Harris | Choreographer |
Directing | Anna Sheldrake | Third Assistant Director |
Production | Samantha Gardner | Production Secretary |
Production | Cassandra King | Casting Assistant |
Production | Freya Beales | Production Runner |
Production | Nick Goulden | Production Runner |
Production | Tammy Gia | Production Runner |
Art | Alex Raine | Assistant Art Director |
Art | Lee Whiteman | Set Dresser |
Costume & Make-Up | Alan Flyng | Costume Supervisor |
Lighting | Jens Lund-Larsen | Best Boy Electric |
Lighting | Richard Miles | Electrician |
Art | Robert Crewe | Construction Manager |
Camera | Juergen Teller | Still Photographer |
Camera | Brent Stewart | Still Photographer |
Production | Richard Lormand | Publicist |
Camera | Hans Berggren | Aerial Camera |
Crew | Karen Colman | Chaperone |
Crew | Annie Baughan | Studio Teacher |
Crew | Claire Oliver | Post Production Supervisor |
Editing | Andrew Haigh | First Assistant Editor |
Editing | Matthew Streatfield | Assistant Editor |
Sound | Kevin Brazier | Supervising Sound Editor |
Sound | Chris Roberts | ADR Editor |
Sound | Anna Sulley | Sound Effects Editor |
Sound | Robert Brazier | Foley Editor |
Sound | Adam Davidson | ADR Mixer |
Sound | Mathew Knights | ADR Mixer |
Sound | Ben Brazier | Foley Mixer |
Sound | Julie Ankerson | Foley Artist |
Sound | Vincent Arnardi | Sound Re-Recording Mixer |
Sound | Julien Perez | Sound Re-Recording Mixer |
Sound | Mathew Knights | Sound Re-Recording Mixer |
Production | David Reid | Co-Producer |