Two FBI agents investigating the murder of civil rights workers during the 60s seek to breach the conspiracy of silence in a small Southern town where segregation divides black and white. The younger agent trained in FBI school runs up against the small town ways of his partner, a former sheriff.
Production | Juliet Taylor | Casting |
Production | Howard Feuer | Casting |
Production | Robert F. Colesberry | Producer |
Costume & Make-Up | Aude Bronson-Howard | Costume Design |
Directing | Aldric La'Auli Porter | Assistant Director |
Sound | Trevor Jones | Original Music Composer |
Camera | Peter Biziou | Director of Photography |
Art | Jim Erickson | Set Decoration |
Editing | Gerry Hambling | Editor |
Directing | Alan Parker | Director |
Camera | David Appleby | Still Photographer |
Writing | Chris Gerolmo | Screenplay |
Art | Philip Harrison | Production Design |
Costume & Make-Up | Ellen Lutter | Costume Supervisor |
Art | Geoffrey Kirkland | Production Design |
Editing | Mayin Lo | Assistant Editor |
Production | Frederick Zollo | Producer |
Crew | Steve Kelso | Stunts |
Crew | John Robotham | Stunt Coordinator |
Art | John Willett | Art Direction |
Directing | Robin Squibb | Script Supervisor |
Sound | Pieter Hubbard | Sound Editor |
Crew | Nicholas Paleologos | Thanks |
Costume & Make-Up | Helen P. Butler | Costume Supervisor |
Costume & Make-Up | David Forrest | Makeup Designer |
Crew | Maida N. Morgan | Thanks |
Crew | David Linck | Unit Publicist |
Crew | Stan Parks | Special Effects Coordinator |
Costume & Make-Up | Paul LeBlanc | Hair Designer |
Lighting | Dennis J. Lootens | Electrician |
Sound | Paul Hulme | Sound Engineer |
Production | Tom Razzano | Unit Production Manager |
Camera | Bob Leitelt | Grip |
Lighting | Willie Mann | Best Boy Electric |