What happens when a glamorous express, with high government officials, wealthy merchants, concubines and a gang of brigands on board, speeds towards the small town of Hanshui, where escaping bank robbers, corrupt officials, and gamblers await? Well, let's just say the Titanic had a smoother maiden voyage.
Camera | Arthur Wong | Director of Photography |
Crew | Raymond Chow Man-Wai | Presenter |
Editing | Peter Cheung Yiu-Chung | Editor |
Crew | Yuen Wah | Martial Arts Choreographer |
Directing | Yuen Wah | Action Director |
Directing | Sammo Hung | Director |
Crew | Sammo Hung | Martial Arts Choreographer |
Directing | Sammo Hung | Action Director |
Writing | Barry Wong | Screenplay |
Crew | Yuen Biao | Martial Arts Choreographer |
Directing | Yuen Biao | Action Director |
Production | Leonard Ho | Producer |
Crew | Lam Ching-Ying | Martial Arts Choreographer |
Directing | Lam Ching-Ying | Action Director |
Writing | Alfred Cheung Kin-Ting | Screenplay |
Crew | Andrew Lau Wai-Keung | Cinematography |
Camera | Cheung Man-Po | Focus Puller |
Crew | Tom Lau Moon-Tong | Cinematography |
Writing | Calvin Poon Yuen-Leung | Lyricist |
Sound | Chow Shao-Lung | Sound Recordist |
Sound | Ding Yue | Dialogue Editor |
Directing | Alexander Chan Mong-Wah | Assistant Director |
Editing | Keung Chuen-Tak | Assistant Editor |
Camera | Peter Ngor Chi-Kwan | Second Unit Director of Photography |
Directing | Chan Wing-Chiu | Assistant Director |
Lighting | Adam Tam Chi-Wai | Lighting Technician |
Editing | Jessica Chan Pui-Wah | Project Manager |
Sound | Melody Bank | Original Music Composer |
Sound | Danny Summer | Theme Song Performance |
Directing | Ng Min-Kan | Assistant Director |
Costume & Make-Up | Tony Au Ting-Ping | Costume Designer |
Camera | Yip Wai-Ying | Focus Puller |
Writing | Keith Wong Wang-Gei | Screenplay |
Sound | Anders Nelsson | Original Music Composer |
Lighting | Wong Chi-Ming | Lighting Technician |
Sound | Stephen Shing Gam-Wing | Music |
Art | Raymond Lee King-Man | Art Direction |
Camera | Tony Miu Kin-Fai | Focus Puller |
Production | Lorraine Hoh Lai-Seung | Assistant Production Manager |
Art | Ben Luk Man-Wah | Assistant Art Director |
Directing | Ng Hon-Keung | Assistant Director |
Art | Mai Ho | Set Designer |
Art | Chan King-Sam | Set Designer |
Crew | Stewart Bradley | Special Effects |
Camera | Kwan Chi-Kan | Focus Puller |
Art | Butt Yiu-Kwong | Set Designer |
Lighting | Chow Lam | Lighting Technician |
Crew | Au Kam-Hung | Cinematography |
Lighting | Wingo Chan Tung-Chuen | Lighting Technician |
Production | Raymond Yu Wai-Man | Assistant Production Manager |
Costume & Make-Up | Poon Man-Wah | Makeup Artist |
Production | Chan Keung | Unit Manager |
Art | Tam Wing-Cheong | Props |
Sound | Ng Kwok-Wah | Foley |
Sound | Alastair Monteith-Hodge | Original Music Composer |
Writing | Richard Lam Chan-Keung | Lyricist |
Costume & Make-Up | Ivy Law Sau-Wai | Makeup Artist |
Art | Hui Kin-Keung | Props |
Costume & Make-Up | Yiu Wai-Man | Costume Design |
Art | Ho Kam-Kai | Props |
Directing | Wong Hung | Assistant Director |
Directing | Lam Bing-Sang | Script Supervisor |
Camera | Lam Lai-Hing | Focus Puller |
Camera | Wong Sai-Kit | Focus Puller |
Lighting | Wong Pak-Wing | Lighting Technician |
Art | Chan Yiu-Wing | Assistant Art Director |
Editing | Sek Chi-Kong | Assistant Editor |
Sound | Su Rui | Theme Song Performance |
Production | Cheung Cheung-Choi | Assistant Unit Manager |
Camera | Lai Chi-Hung | Still Photographer |