1930s Hollywood is reevaluated through the eyes of scathing social critic and alcoholic screenwriter Herman J. Mankiewicz as he races to finish the screenplay of Citizen Kane.
| Production | Eric Roth | Producer |
| Writing | Eric Roth | Script Consultant |
| Sound | Trent Reznor | Original Music Composer |
| Directing | David Fincher | Director |
| Production | Ceán Chaffin | Producer |
| Production | Laray Mayfield | Casting Director |
| Sound | Ren Klyce | Sound Designer |
| Art | Dan Webster | Supervising Art Director |
| Crew | Frank Ceglia | Special Effects Coordinator |
| Art | Jan Pascale | Set Decoration |
| Art | Donald Graham Burt | Production Design |
| Crew | Shannon Kemp | Special Effects Technician |
| Production | Douglas Urbanski | Producer |
| Sound | Atticus Ross | Original Music Composer |
| Editing | Kirk Baxter | Editor |
| Costume & Make-Up | Trish Summerville | Costume Design |
| Production | William Doyle | Co-Producer |
| Crew | Josh Hakian | Special Effects Coordinator |
| Art | Chris Craine | Art Direction |
| Camera | Erik Messerschmidt | Director of Photography |
| Crew | John C. Carlucci | Special Effects |
| Production | Allen Kupetsky | Unit Production Manager |
| Production | Peter Mavromates | Co-Producer |
| Crew | Dominic Pacitti | Set Production Assistant |
| Directing | Samantha Smith McGrady | Second Assistant Director |
| Directing | Richard Goodwin | First Assistant Director |
| Production | Karla Torres | Production Supervisor |
| Writing | Jack Fincher | Screenplay |
| Production | Andrea McKee | Associate Producer |
| Art | Hogan Lee | Assistant Art Director |
| Crew | Quinton Farina | Special Effects Technician |
