The film intertwines historical events and intimate memories. I observe how architecture represents the transformations of society and those who give form to this architecture. We follow the journey of Munio, my father, born in 1909 in Silesia, Poland, the son of a tenant farmer of a Prussian junker. At the age of 18, Munio goes to Berlin and Dessau to meet Walter Gropius, Kandinsky and Paul Klee at the Bauhaus. In 1933, the Bauhaus was closed by the Nazis, who accused Munio of treason against the German people. Munio was imprisoned, then deported to Basel. He left for Palestine. Upon his arrival in Haifa, he began a career as an architect and adapted European modernist principles to the Middle East.
| Directing | Amos Gitai | Director |
| Production | Amos Gitai | Producer |
| Production | Alexandre Iordachescu | Producer |
| Production | Veselin Karadjov | Line Producer |
| Production | Alexander Peytchev | Supervising Producer |
| Production | Laurent Truchot | Producer |
| Crew | Gabriele Basilico | Cinematography |
| Crew | Giora Bejach | Cinematography |
| Crew | Renato Berta | Cinematography |
| Crew | Richard Copans | Cinematography |
| Crew | Amos Gitai | Cinematography |
| Editing | Isabelle Ingold | Editor |
| Directing | Marieke Staub | First Assistant Director |
| Crew | Rositsa Ivanova | Scenic Artist |
| Art | Rosen Stefanov | Art Direction |
| Sound | Alex Claude | Sound Designer |
| Sound | Israel David | Sound Mixer |
| Sound | Fabien Kharat | Boom Operator |
| Sound | Daniel Meir | Foley Editor |
| Sound | John Purcell | Dialogue Editor |
| Sound | Bar On Shelly | Sound Re-Recording Assistant |
| Camera | Ivan Aleksandrov | Key Grip |
| Camera | Orit Teply | First Assistant Camera |
| Camera | Kiril Valchanov | Steadicam Operator |
| Editing | Riccardo Annoni | Colorist |
| Writing | Sari Azoulay Turgeman | Script Editor |
