When retired salesman Joseph Kotcher begins to feel pressure to move out of the house he shares with the family of his son, he opts to embark on a road trip instead of settling in a retirement home. Befriending Erica, a young pregnant woman and his grandson's former nanny, Kotch begins to finds new meaning in life as he helps her prepare to welcome her baby into the world.
| Production | Richard Carter | Producer |
| Directing | Jack Lemmon | Director |
| Writing | John Paxton | Screenplay |
| Writing | Katharine Topkins | Novel |
| Camera | Richard H. Kline | Director of Photography |
| Editing | Ralph E. Winters | Editor |
| Production | Barbara Gallagher | Casting |
| Art | Jack Poplin | Art Direction |
| Art | William Kiernan | Set Decoration |
| Costume & Make-Up | John A. Anderson | Costume Design |
| Costume & Make-Up | Jean Austin | Hairdresser |
| Costume & Make-Up | Harry Ray | Makeup Artist |
| Directing | Charles Dismukes | Assistant Director |
| Directing | Harry F. Hogan | Assistant Director |
| Art | Richard M. Rubin | Props |
| Sound | Richard Portman | Recording Supervision |
| Sound | Jack Solomon | Sound |
| Sound | Frank E. Warner | Sound Effects |
| Crew | Jack Erickson | Special Effects |
| Visual Effects | Jeremy Lepard | Visual Effects |
| Sound | Marvin Hamlisch | Original Music Composer |
| Production | Leon Chooluck | Production Supervisor |
| Camera | Kenneth Adams | Key Grip |
| Lighting | Tim Griffith | Gaffer |
| Lighting | James Plannette | Best Boy Lighting Technician |
| Camera | Eric D. Andersen | First Assistant Camera |
| Art | Ruth Carter | Location Scout |
| Camera | Ruth Carter | Still Photographer |
| Camera | James R. Connell | Camera Operator |
| Camera | Hal Shiffman | Second Assistant Camera |
| Camera | Robert Willoughby | Still Photographer |
| Costume & Make-Up | Connie Anderson | Wardrobe Supervisor |
| Editing | Jeremy Lepard | Additional Editing |
| Editing | Irving Rosenblum | Assistant Editor |
| Art | Jeremy Lepard | Title Designer |
