Matt Ryder is convinced to drive his estranged and dying father Benjamin Ryder cross country to deliver four old rolls of Kodachrome film to the last lab in the world that can develop them before it shuts down for good. Along with Ben's nurse Zooey, the three navigate a world changing from analogue to digital while trying to put the past behind them.
Directing | Mark Raso | Director |
Writing | Jonathan Tropper | Screenplay |
Writing | A.G. Sulzberger | Original Story |
Production | Jonathan Tropper | Producer |
Costume & Make-Up | Diana Irwin | Costume Design |
Production | Daniel S. Levine | Producer |
Camera | Alan Poon | Director of Photography |
Editing | Geoff Ashenhurst | Editor |
Art | Oleg M. Savytski | Production Design |
Art | Shelley Silverman | Art Direction |
Production | Ellen Goldsmith-Vein | Producer |
Production | Eric Robinson | Producer |
Production | Leon Clarance | Producer |
Production | Shawn Levy | Producer |
Sound | Agatha Kaspar | Original Music Composer |
Costume & Make-Up | Catherine Viot | Makeup Department Head |
Production | Priscilla Galvez | Associate Producer |
Production | Dan Cohen | Executive Producer |
Production | Lisa Wilson | Executive Producer |
Production | Mary Anne Waterhouse | Executive Producer |
Production | Laure Vaysse | Executive Producer |
Art | Joe Susin | Set Decoration |
Production | Mary Anne Waterhouse | Line Producer |
Costume & Make-Up | Zinka Tuminski | Key Hair Stylist |
Production | Jo Monk | Executive Producer |
Production | Myles Nestel | Executive Producer |
Production | John Buchan | Casting |
Production | Jason Knight | Casting |
Sound | Chris Piccaro | Music Supervisor |