Francesca always attracted weirdos. When one of her stalkers is found dead, she looks for comfort from her best friend, Maxi. Meanwhile, Maxi’s grandfather, Jack, a disgraced Rabbi, comes across a reclining chair containing a Dybbuk inside. Jack and his voodoo sorceress partner try to find out where the recliner has been delivered while exploring Jack’s newfound gift for communicating with the other world. Meanwhile the reclining chair becomes enchanted by Francesca and starts committing crimes of passion.
Production | Bernardo Rao | Producer |
Directing | Bernardo Rao | Director |
Writing | Bernardo Rao | Writer |
Production | Marc Tyron | Co-Producer |
Lighting | André Oudard | Gaffer |
Editing | Paulo Lourenço | Editor |
Costume & Make-Up | Stacey King | Makeup Artist |
Writing | Ashley Scott Meyers | Script Consultant |
Art | Jim Baltaxe | Set Dresser |
Costume & Make-Up | Nina King | Assistant Costume Designer |
Sound | James Dunlop | Sound Mixer |
Editing | Bernardo Rao | Editor |
Production | Paul Irving | Assistant Location Manager |
Costume & Make-Up | Piimio Mei | Makeup Artist |
Production | Jim Baltaxe | Production Coordinator |
Crew | Bernardo Rao | Fight Choreographer |
Art | Paulo Lourenço | Assistant Set Decoration |
Production | Bernardo Rao | Background Casting Director |
Camera | Seanne Cullhane | Second Assistant Camera |
Production | Paul Irving | Production Assistant |
Camera | Bernardo Rao | "A" Camera Operator |
Camera | Bernardo Rao | Dolly Grip |
Crew | Diogo Esteves | Visual Effects Editor |
Directing | Paulo Lourenço | First Assistant Director |
Production | Paulo Lourenço | Line Producer |
Crew | Piimio Mei | Choreographer |
Production | Jim Baltaxe | Co-Producer |
Camera | André Oudard | Key Grip |
Visual Effects | Diogo Esteves | Special Effects Supervisor |
Art | Bernardo Rao | Props |
Art | Helena Halley | Property Master |
Costume & Make-Up | Nathalie Morris | Makeup Artist |
Camera | Bernardo Rao | Still Photographer |
Crew | James Dunlop | Post Production Assistant |
Costume & Make-Up | Amie Lyver | Hairstylist |
Art | Bernardo Rao | Art Direction |
Camera | James Dunlop | Grip |
Costume & Make-Up | Amie Lyver | Key Hair Stylist |
Camera | André Oudard | First Assistant Camera |
Art | Jim Baltaxe | Set Decoration |
Art | Bernardo Rao | Set Designer |
Costume & Make-Up | Paul Irving | Costume Supervisor |
Costume & Make-Up | Amie Lyver | Makeup Department Head |
Crew | Amie Lyver | Makeup Effects |
Production | Jim Baltaxe | Unit Production Manager |
Production | Helena Halley | Associate Producer |
Crew | Diogo Esteves | Pyrotechnician |
Production | Bernardo Rao | Line Producer |
Sound | James Dunlop | Boom Operator |
Crew | Sarah Munn | Stunt Coordinator |
Costume & Make-Up | Charlotte Kelleher | Key Costumer |
Crew | Ben Zolno | Assistant Script |
Crew | Bernardo Rao | Post Production Supervisor |
Camera | David Drummond | Steadicam Operator |
Costume & Make-Up | Angelica Thomas | Makeup Artist |
Production | Jim Baltaxe | Location Manager |
Art | Paulo Lourenço | Set Designer |
Production | Helena Halley | Casting Assistant |
Crew | Marc Tyron | Unit Publicist |